KitPlus | Articles

The challenges of media workflow automation

i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark

Published 07 September 2017

Is everyone a journalist these days

i Today\'s content consumers have endless viewing and streaming possibilities thanks to the advent of smart phones and tablets that allow them to watch pretty much anything they want, on the go, and away from the confines of a television screen. Those very same smartphones and tablets have also brought another revolution to the broadcast industry -...

Submitted by Rene Morch

Published 01 August 2017

Streaming and the need for continued innovation

In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as t...

Submitted by Jon Schorah - new

Published 04 April 2017

Dick finds the truth out there

The Oxford English Dictionary has determined that its word of the year for 2016 was "post-truth". We\'ll skip over the fact that it is, clearly, two words. Post-truth is, according to the world\'s best lexicographers, "an adjective defined as \'relating to or denoting circumstances in which objective facts are less influential in shaping public opi...

Submitted by Dick Hobbs.

Published 15 February 2017

Assets in the air

People everywhere are talking about "the cloud", as if it is somehow something (1) new and (2) intrinsically exciting. It really is neither of those things. In the IT world, software as a service (SaaS) has been around since the 1960\'s when organisations bought the use of mainframe software on a time-sharing basis. The important part of SaaS is th...

Submitted by Paul Wilkins

Published 15 February 2017

5 top tips to getting the grade you want

Generally speaking, a grade session can be broken down into two distinct parts - managing the people involved and managing the grade itself. As colourists, we know that unless both of these criteria are satisfied, it is likely that the client will walk away from the project unhappy and not return to us with the next job. The first step is to manage...

Submitted by tom russell

Published 15 February 2017

The secret to global Gogglebox success

People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper

Published 15 February 2017

Challenges for MAM with varying production types

Many media asset management platforms are designed to handle the immense number of assets needed for today\'s fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ab...

Submitted by Jonathan Aroesty

Published 15 February 2017

The future of post production

Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus

Published 15 February 2017

Live streaming and the power of your own channel

We\'ve just celebrated 80 years of television. And it\'s been quite a journey from the birth of television to where we are now. Only a small percentage of UK households had television sets when the BBC began broadcasting in 1936, and of course the Second World War temporarily suspended any television viewing shortly after that for the duration of t...

Submitted by Liam Laminman

Published 13 January 2017

80 years of broadcast and how far we have come

The BBC delivered its first continual public broadcast 80 years ago, that included coverage of the BBC Television Orchestra and famous musical comedy star Adle Dixon. This was a world first heralding the beginning of continuous broadcasting in the UK and kicking off the broadcast industry\'s constant search for new ways to improve the accessibility...

Submitted by Neil Maycock

Published 13 January 2017

Rethinking standards in the media world

It\'s actually a more difficult question than you think. When I ask the majority of engineers this question, I will get a technical answer. It will be something like "to be sure we meet the specification\" or "to be sure we don\'t put bad signals on air\" or "so that I don\'t get fired for getting loudness wrong\" The reality of course is that moni...

Submitted by Bruce Devlin

Published 07 December 2016

TVFutures - The Battle of the Flowers

Studying on the BSc Television and Broadcasting course at the University of Portsmouth had given me some experience working as a camera operator, but this summer I had the chance to put what I\'d learned over the last two years into practice. Back home in the sunny island of Jersey, in what newsrooms would usually call the \'silly season\', an even...

Submitted by Alex Watson

Published 10 November 2016

Make a scifi film in the Mexican Desert

British director Nicolas Roeg once said to me that making a film is like horse racing. To start with you give the horse a nudge to get him moving, then as you gather speed there's a point where you have to trust the horse. You hold on and the horse will carry you across the finish line. I've just returned home from shooting a Sci-fi proof-of-concep...

Submitted by Edward Andrews

Published 26 September 2016

Posting Rovers on DaVinci Resolve

Managing director at Core Post Matt Brown reveals how he used DaVinci Resolve\'s 3D tracker, key lighting, and color tools to complete the final grade for new Sky 1 football comedy drama series, "Rovers.\" Set in the run down clubhouse of fictional non league team Redbridge Rovers FC, brand new Sky 1 football comedy "Rovers\" reunites "The Royle Fa...

Submitted by Matt Brown

Published 25 August 2016