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Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

Move and Deliver

Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#

Published 01 November 2014

Sony PXW-FS7

by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman

Published 01 November 2014

Everything you need to know about Anamorphic Lenses

by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan

Published 01 November 2014

How I shoot those Amazing Spaces

by Chris Smith Issue 93 - September 2014 Channel 4 has just finished showing series 3 of its popular ‘Amazing Spaces’, which is all about people building unusual living spaces. Watch it, and even after one viewing it could have you looking at your back garden in a new light, ready to start building that underground family space or cinema, or maybe...

Submitted by Chris Smith

Published 01 October 2014

Mobile News Gathering

by Erwan Gasc Issue 93 - September 2014 What are the most common challenges facing broadcasters in the field today? One of the most critical challenges for broadcasters today is arriving first on the scene of a breaking news story and being able to send live video coverage. Tough competition between TV channels, combined with the fact that consumer...

Submitted by Erwan Gasc

Published 01 October 2014

Keeping it real

by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#

Published 01 September 2014

KVM extenders and matrix switches in broadcast

by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Software defined workflows

by Steve Reynolds Issue 91 - July 2014 The rising popularity of over-the-top video offerings and TV Everywhere services continues to transform the media and entertainment business. Whether through pure-play OTT services from dedicated providers, catch-up TV offerings from broadcasters or authenticated TV Everywhere services from pay-TV operators, t...

Submitted by Steve Reynolds

Published 01 August 2014

Is the future virtual

by Dick Hobbs Issue 91 - July 2014 Just a couple of days ago, I went to a memorial service for a very nice man called John Wilson. If you have heard of John, it was probably for his work as the chairman of IBC in the 1990s, leading the move from Brighton to Amsterdam, then to an annual event, then to its management by an independent and professiona...

Submitted by Dick Hobbs.

Published 01 August 2014

Back to Basics with Media Transformation

by Craig Newbury Issue 90 - June 2014 With their shift toward use of file-based digital audio and video, rather than tape- or film-based media, broadcasters and other media companies have moved into a world that demands some familiarity with the concept of media compression. Because the video and audio captured by cameras and microphones often resu...

Submitted by Craig Newbury

Published 01 July 2014

Proprietary vs. off the shelf hardware for OTT video deli...

by Nivedita Nouval Issue 90 - June 2014 What are the main equipment at stake in an OTT video delivery system?An OTT video delivery system consists of an array of video servers that are able to store and stream content according to different formats defined by standards (e.g., HLS, HSS, HDS, and MPEG-DASH). Traditionally, there is an origin server,...

Submitted by Nivedita Nouval

Published 01 July 2014

Simplifying On Site Workflows

by Greg LaPorte Issue 90 - June 2014 On and off-set high-end post-production demands a new level in processing capability, storage speed, and general computing horsepower to handle the ever increasing standards for digital workflow. Utilizing PCI Express® (PCIe) performance and 20Gbps of throughput, Thunderbolt 2 technology offers the fastest way t...

Submitted by Greg Laporte

Published 01 July 2014

Giving Content Distributors an Edge in Quality and Compli...

by Adam Schadle Issue 90 - June 2014 Todays media and entertainment ecosystem relies on interconnections between content originators, who produce programming and deliver it over broadcast networks (including terrestrial, satellite, cable, and IPTV), and secondary content distributors who take that programming and deliver it to the end viewer. Incre...

Submitted by Adam Schadle

Published 01 July 2014