KitPlus | Articles

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

DLED Dedolight Reviewed

by Justin Mills Issue 92 - August 2014 Ive been using Felloni LED light panels for over 18 months now, and have really enjoyed the ease of operating lights using battery power in my case, V lock batteries that I also use to power my cameras. No cable runs, easy to reposition and that much less time setting up and packing up. Although their 1ft x 1f...

Submitted by Justin Mills

Published 01 September 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

How to work without batteries

by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns

Published 01 March 2014

Lighting our way at IBC

by Simon TillyerIssue 82 - October 2013 One of our duties at trade shows is rolling a camera rig around the various halls whether it be Las Vegas, London or Amsterdam and interviewing exhibitors. Having done this for a few years now we get to use different kit at each event, a deliberate decision, in order to test it out in a real world use and in...

Submitted by Simon Tillyer

Published 01 December 2013

Powering a richer media experience on set-top boxes

by Achim BosseIssue 80 - August 2013 Todays television viewers are increasingly using the Internet to download, share, and consume media on a variety of devices. Traditionally, DTV and IPTV service providers have relied on DVB MPEG-based technologies to deliver linear television services and IP technologies like multicasting or RTSP for VOD. Howeve...

Submitted by Achim Bosse

Published 01 September 2013

Securing your rushes in a rush with G-Technologys G-DOCK

by Mark StopherIssue 80 - August 2013 I was recently charged with the task of backing up files from a 9 day web series shoot. The sci-fi series is called Hunger Ford and is being produced by Wild Seed Studios (wildseedstudios.com). We began day four by throwing a postman through a breakaway table covered in sugar glass items. After such effort went...

Submitted by Mark Stopher

Published 01 September 2013

Continuous power in the field

When on location whether in the depths of a jungle with reduced access to power or in a city centre with limited charging opportunities then good consideration to your kit bag is needed to remove those power hungry devices that could leave you running short for the final big shot of the day!The benefits of field recorders are well known, often doub...

Submitted by Raymond Burns

Published 01 July 2013

The Teradek Bolt reviewed

The location is a small busy working kitchen of a top London restaurant; the chef and kitchen staff have enough on their plate (!) without having to worry about avoiding cables and bumping into members of the crew filming them go about their business. The soundman is able to keep himself out of the way, not causing trip hazards with cables and the...

Submitted by Jon Boast

Published 01 July 2013

Intelligent linking - answering some key power questions

with Steve EmmettWhat makes a safe Li-Ion Battery?Recently, the Boeing Dreamliner story has added to the perception of the Li-Ion battery as a potentially dangerous item. However, the reality is that Li-Ion batteries are a safe and robust source of portable power, when they are designed and constructed by a recognised battery manufacturer that has...

Submitted by KitPlus

Published 01 July 2013

Product update with Swit - travel safe power solutions

Swit Electronics is a high-tech enterprise that manufacture power solutions and accessories for the professional broadcast and video industry. Products include batteries and chargers, on-camera lights, monitors and more. Swit design and manufacture their products to the smallest detail and therefore the end result is a high performing, high quality...

Submitted by KitPlus

Published 01 July 2013

How to choose the right broadcast microphone

By Ralph Dunlop, Director, Sound Network– UK distributor for DPA Microphones1. What are most common types of microphones for broadcast use and how far has microphone technology progressed in the digital world?Traditionally the most popular microphone used in broadcast and film sound recording was the “Boom” mounted mic. The problem with older boom...

Submitted by Ralph Dunlop

Published 01 June 2013

Will Strauss captures some decent sound gear

Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#

Published 01 June 2013

LiveU Buyers guide to cellular uplinking

With Ronen Artman, LiveUCellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activities or anything in between. It has also delivered high quality li...

Submitted by Ronen Artman

Published 01 May 2013