KitPlus | Articles

Marshall masters LCD

Marshall Electronics has made huge strides in the LCD picture monitor market, with a practical package that fits with many of today’s applications and circumstances. Its LCD panels are light and compact, saving space and weight – obviously very attractive for OB vans. The monitors are recognised for their value for money while frequently winning si...

Submitted by Dennis Lennie

Published 01 November 2008

Getting the best out of your LCD

Getting the best out of your LCDs?Many people who use CRT picture monitors have found the introduction of LCD displays disappointing. Getting the best out of your LCD may not be as simple as it may seem. With a wide choice of vendors and models all proclaiming broadcast quality, it can be difficult to determine which product is most suitable for yo...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual Studios

Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008

Aston 7 your lucky number for Sports Graphics

Aston Broadcast has been supplying CG products for long enough to know that the world of live sports graphics presentation never stands still for long. Programme directors like to push the boundaries on visual effects in order to wow the viewer and to differentiate the presentation from that of rival channels or programmes. More often than not, Ast...

Submitted by Dennis Lennie

Published 01 October 2008

Stryder TV Brick House Video User Report

Stryder TV is based in Oxfordshire and for decades we have provided both British and International broadcasters with a complete video production services. Our camera crews have operated in 45 countries from the Arctic to the Tropics and we produce anything from web content to beaming live pictures across the world with our satellite truck. We neede...

Submitted by Dennis Lennie

Published 01 October 2008

A brief history of television graphics

Thirty years ago, television captions were routinely created by sticking white Letraset characters onto black card. Credit rolls were possible using special devices which used long strips of black material onto which the Letraset was stuck, and which were literally rolled, either by an electric motor but sometimes even by hand. There were, of cours...

Submitted by Dennis Lennie

Published 01 October 2008

Everything you ever wanted to know about TV lighting Part...

In my last article, I talked about some of the basic technical aspects that we need to think about when we start on the lighting trail. I covered light levels and intensities in relation to lens apertures before discussing colour temperature and its relevance to producing ‘nice’ pictures. Although I’d like to move on into lighting ‘proper’ there ar...

Submitted by Dennis Lennie

Published 01 October 2008

Flexiscope from Hamlet

A number of years ago Hamlet gave itself the impossible task of developing the worlds first HD and SD video and audio measurement and monitoring instrument that could be packed into one small handheld device. The new instrument would need to provide waveforms, vectors, audio bar graphs, measurement cursors, a range of error detection, decoding of b...

Submitted by Dennis Lennie

Published 01 September 2008

Scriptwriting

“Is the pen mightier than the sword?”As a writer myself and having penned a few scripts in the past, mainly for TV commercials, corporate presentations and voice overs, it always amazes me 'when a film actor, whether it be a known or an up and coming potential' just seems to utter those mortal words “It was such a great script...I just had to do it...

Submitted by Dennis Lennie

Published 01 September 2008

tv-bay interviews Malcolm Robinson

How long have you been with Sony?Just over 4 yearsAnd where were you before?I originally trainedat Ravensbourne before moving to CNN where I worked on stories such as the Russian Coup. I then worked for Cine Video where amongst others covered the West Indies cricket tours. After working for Visions I contracted for 4 years before moving to Sony. Wh...

Submitted by Dennis Lennie

Published 01 August 2008

Is it cool to use cool lighting

Is it cool to use cool ?The term ‘cold lighting’ is used within the film & TV lighting industry as a generic term for energy efficient, Fluorescent, LED, and Plasma (panel) lighting sources which emit little or no radiant heat. HistoryThe technology is not so new; Evidence exists of neon lighting being used on a film set in Teddington Studios Engla...

Submitted by Dennis Lennie

Published 01 August 2008

CTV OB Truck

Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

Royalty Free Music Can Save You A Fortune

How important is music to your production? Think of the two notes John Williams used in Jaws to signal danger and to sometimes mislead the audience into believing that a great white shark was lurking in the hidden depths. Music plays such a crucial and powerful role in the visual world to be overlooked at your peril. Notice how suddenly your edit c...

Submitted by Dennis Lennie

Published 01 June 2008

The Reflecmedia Chromaflex portable chromakey system

The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

The Brown Stabilizer

Garrett Brown is best known as the Oscar-winning inventor of the Steadicam®. He has shot with it on nearly 100 movies including Rocky, The Shining and Return of the Jedi. Garrett holds 50 patents worldwide for camera devices which include the new Steadicam Merlin, a miniature version for camcorders; Skycam, the robot camera that flies on wires over...

Submitted by Dennis Lennie

Published 01 March 2008