KitPlus | Articles

The Importance of Audio Production Systems

Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles

Published 26 March 2020

Class: Pragmatism In Engineering

A couple of years ago, Hermann Popp from ARRI came to me and talked about putting MXF in ST 2110. My initial take away was that his proposal felt like exactly the right way to solve the problem he presented, but was completely counter-intuitive to the IP Engineering purists who would push back on the concept of double wrapping the content. It took...

Submitted by Bruce Devlin - new

Published 03 November 2019

Giving Welsh sport a global audience

From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage. Focusing mainly on platforms including Facebook Live and YouTube, the team has already live streamed to mor...

Submitted by Adam Amor

Published 09 November 2018

Canon C200: Tried and Tested

There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us –...

Submitted by Ben Sherriff

Published 12 February 2018

A Software Based Approach to Video Monitoring

Real-time content monitoring is a mission-critical operation for broadcasters, telecom, and satellite operators. Traditionally, service providers have used monitoring systems based on specialized hardware with a dedicated, fixed interface designed to monitor a specific number of video feeds. Yet, bespoke hardware solutions require a substantial amo...

Submitted by Anupama Anantharaman - new

Published 04 April 2017

Bridging the Gap between Broadcast and Online

Social media and VOD services have increasingly become more important platforms for the telling of news and current affairs stories. Just a few years ago news producers would create a show for a particular time slot but now, news segments are published online almost immediately after being created. To do this however, each platform having its own f...

Submitted by Petter Ole

Published 14 June 2016

Our Time At NAB 2016

by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh

Published 13 May 2016

New Upmixing Challenges and Strategies for Audio Post-pro...

by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016

Sky takes sports to the limit

Issue 99 - March 2015Sky, Europe\'s leading entertainment company with more than 20 million customers across five countries, is renowned for being one of the world\'s top sports broadcasters. From the massively popular Premier League, to a raft of other sports rights including rugby, cricket and darts, Sky provides sports fans with an unrivalled of...

Submitted by KitPlus

Published 01 April 2015

Fixing it in parallel

by Daniele Siragusano Issue 97 - January 2015 Whenever something went wrong in television production, the cry was always "We\'ll fix it in post". Except that there was rarely enough time, in a broadcast schedule, to fix anything. Today we expect every programme - even routine television programmes like daily dramas - to look and sound perfect. But...

Submitted by Daniele Siragusano

Published 01 February 2015

Return to original programming for channel 5

Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus

Published 01 May 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Will Strauss looks at automatic QC for the people

by Will StraussIssue 83 - November 2013 The method in which television producers should deliver their programmes to UK broadcasters is changing. From 1 October 2014 it will be digital files, rather than HDCam SR tapes, that are the preference. It is a fundamental and fairly disruptive change that is the cause of much debate right now. The parameter...

Submitted by Will Strauss#

Published 01 December 2013

PAGlink reviewed

Up until recently I always thought that a battery was, well just a battery. After all it’s just a load of cells strung together and put in some kind of case right? Well apparently not, it seems that there is a bit more to it than that, and the folks at PAG were keen to prove this by providing me with a set of their PL96e V-Mount Batteries to test....

Submitted by Jon Pratchett

Published 01 July 2013

Is it time to review your colour grading toolset?

One important step for all budget levels of post-production is the colour correction or grading tools you use to match the colour of different shots in your edit, to give a consistent look and feel. You may already be doing basic colour grading without really thinking of it as a separate process in your edit, or you may be sending off your edited t...

Submitted by Mark Brindle

Published 01 February 2013