KitPlus | Articles

You need more damn pixels

There has obviously been a lot of chatter in recent years about 4K, but is it enough? 8K and beyond is where the excitement lies, but not in the way you might think. 8K and beyond for broadcast, both of which are easily achievable in a software-only, IP environment, may seem a bridge too far for most at the moment, and they\'re probably right¦for n...

Submitted by Jan Weigner

Published 13 January 2017

Top gadgets for 2017

Wow - 2016 - we certainly didn\'t see you coming. Thankfully, one thing we can reliably see coming in the midst of our increasingly unpredictable futures, are the beautiful range of shiny inventions, gadgets and technological wonderment of the year 2017 - so put today\'s headlines to one side and enjoy this rare opportunity to take a look at a reli...

Submitted by Beth Zarkosh

Published 13 January 2017

Scopes, a creative trilogy

The purpose of color correction is to fix any problems with exposure and color, ensuring the final image looks right. Color grading is used to set the mood by adjusting the colors of the video imagery to achieve a certain look or feel. At the core of color correction is tonal range: the range of brightness from dark (black) to light (white). When t...

Submitted by Paul Issacs

Published 07 December 2016

A changing media industry

Q. How is the media industry changing today? The media industry, especially the digital TV industry, is going through some revolutionary changes both in terms of how video is delivered and how it is watched. Until a few years ago, consumers watched TV programs that were delivered via a dedicated and controlled network. Content was aggregated and de...

Submitted by Anupama Anantharaman

Published 07 December 2016

Test and measurement in a multiformat world

The evolution of television technology since the days of 525-line and 625-line standard definition has left a large legacy of standards which modern broadcast systems now have to recognise and process. In today's video and audio business, creatives and technical staff have to be ready to handle a multiplicity of signal types. In its standard form,...

Submitted by Kevin Salvidge

Published 24 August 2016

The new world of playout

Consumers know what they expect from a television channel. They expect programmes, of course, but they also know they are going to get commercials, trailers, station idents, graphics, break bumpers, squeezebacks and hot starts, bugs and brand identities, and more. Significantly, they expect these to arrive smoothly and seamlessly, in consistent hig...

Submitted by James Gilbert

Published 22 July 2016

OTT - is it over the top or business as usual

OTT is a term that is casually bandied about as though everyone knows what it is, but is there really a single definition? Hopefully this little guide will have you speaking the jargon like a native!OTT stands for Over The Top. If you're into linguistics, then the first question that comes to mind is "What are A & B in the sentence: A is going over...

Submitted by Bruce Devlin

Published 22 July 2016

Seeing things with a 360 viewpoint

One of the benefits of working in teaching support is you often get opportunities to explore and experiment with lots of new kit that has been purchased for teaching or research. I have spent the past couple of years supporting the activities that take place within the Creative and Cultural Industries TV Studios (CCI TV for short) at the University...

Submitted by Michael Parsons

Published 22 July 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

5 Things I Saw At NAB

by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2

Published 13 May 2016

Our Time At NAB 2016

by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh

Published 13 May 2016

The Power Of IP

by Jamie Shepperd Issue 112 - April 2016 There is little doubt that the adoption of IP technology across the broadcast workflow can bring significant benefit to broadcasters. IP is ubiquitous, it\'s based on common standards and broadcast can benefit further from the wealth of expertise and technology that exist in other industries. While we are st...

Submitted by Jamie Shepperd

Published 25 April 2016

Educating with Robots

by Sian Roberts, Online Editor Issue 110 - February 2016 Educating with RobotsTimeline North's post production director, colorist and VFX artist reveal how they used DaVinci Resolve and Fusion to complete 140 sketches for upcoming CBeebies children's series, Spot BotsMade up of a series of funny live action sketches, new CBeebies - a popular BBC ch...

Submitted by Sian Roberts

Published 16 March 2016

Square-division versus two-sample interleave

by Kevin Salvidge Issue 110 - February 2016 Square-division versus two-sample interleaveFollowing on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluat...

Submitted by Kevin Salvidge

Published 16 March 2016