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New Light in the Forbidden City


IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie
Published 01 December 2009

SATIS in a day


Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie
Published 01 December 2009

3D Movie Making: Stereoscopic Digital Cinema from Script...


Having indulged for several years in stereo photography of the hand-held cross-your-eyes variety, I was interested to watch the broadcast industry respond to the availability of increasingly affordable flat-panel 3D displays. A critical point in the price threshold has finally been crossed: fast-refresh-rate 22 inch 3D computer monitors using circu...

Submitted by Dennis Lennie
Published 01 November 2009

A Guide to Testing IPTV: Technologies and Challenges Par...


Testing IPTV NetworksThe Technology LifecycleThe deployment of new technologies tends to follow a similar lifecycle that begins with early research, development and standardisation and ends with full deployment and service management. The lifecycle diagram illustrated in Figure 5 shows a number of different technologies moving through the design an...

Submitted by Dennis Lennie
Published 01 November 2009

Lighting series


So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie
Published 01 October 2009

Brand New School Makes the Move to Uncompressed HD


What did you do over Christmas 2008? I spent the whole two-week break rebuilding the post production workflow at Brand New School, the prestigious commercial production and design firm in Santa Monica, CA, and the experience let me stretch every technology muscle I had built up in 10 years as a video engineer. At the time, Brand New School was usin...

Submitted by Dennis Lennie
Published 01 August 2009

Ask the Expert with Broadcast Service Centre


Ask the Expert with Broadcast Service Centre’s Dave LlewellynThis month we visited independent service company, Broadcast Service Centre Ltd (BSC), specialising in providing top quality technical support for a wide range of equipment within the Broadcast and Pro video industry. Dave Llewellyn has worked as a broadcast engineer for BSC (Broadcast Se...

Submitted by Dennis Lennie
Published 01 May 2009

Eye to Eye Video acquisition and production


BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie
Published 01 April 2009

Fibre Optics......the past, present and future


Although there were some discoveries in the late 19th century that were related to light and its propagation though a medium, it was not until the latter half of the 20th century when technological breakthroughs occurred which has led to modern day fibre optics. It was the development of the Fiberscope during the 1950’s, becoming the first image-tr...

Submitted by Dennis Lennie
Published 01 March 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...


Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie
Published 01 March 2009

Back in the days before microprocessors


Back in the days before microprocessors, Character Generators were members of the Graphics Department armed with sheets of Letraset and cardboard. The finished caption cards were then handed over to the stage crew who acted as "Caption Pullers". For a title caption sequence, cards were stacked in shooting order alternately into two separate piles (...

Submitted by Dennis Lennie
Published 01 November 2008

Screen and Music Travel


What do Screen and Music Travel do?Screen and Music Travel are specialist travel agents to the television and film industries. We move film crews (many of whom are probably your readers) to destinations all over the world. We have many deals in place with a number of airlines, for discounts on excess baggage charges, for passengers travelling with...

Submitted by Dennis Lennie
Published 01 November 2008

Aston 7 your lucky number for Sports Graphics


Aston Broadcast has been supplying CG products for long enough to know that the world of live sports graphics presentation never stands still for long. Programme directors like to push the boundaries on visual effects in order to wow the viewer and to differentiate the presentation from that of rival channels or programmes. More often than not, Ast...

Submitted by Dennis Lennie
Published 01 October 2008

Scriptwriting


“Is the pen mightier than the sword?”As a writer myself and having penned a few scripts in the past, mainly for TV commercials, corporate presentations and voice overs, it always amazes me 'when a film actor, whether it be a known or an up and coming potential' just seems to utter those mortal words “It was such a great script...I just had to do it...

Submitted by Dennis Lennie
Published 01 September 2008