KitPlus | Articles

The 3D titling tango

The further you look into 3D, the more it diverges from 2D. Titling, including lower thirds, on-screen ‘burnt-in’ text and subtitles (aka closed captions) are common features of 2D TV and film presentations and so it’s not unreasonable to expect it to be used in 3D. Placing titles at a suitable position on a 2D display is rarely problematical. Usua...

Submitted by Bob Pank#

Published 01 February 2011

Dont lose the 3D plot

As was mentioned in the sixth article of this series, depth budget is the single most important parameter in stereoscopic 3D TV. As well as observing the practical and desirable limits to which the depth parameters can be pushed, making a good 3D production required careful management of depth dynamics. This is mostly done in post production to ens...

Submitted by Bob Pank#

Published 01 February 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011

Lighting Q and A

I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

HotTips on how to be a better lighting cameraman.

First up, don’t worry too much about HDFor most of my early career I shot with film, not video, so I usually approach things from a film point-of-view. This means I don’t see an awful lot of difference between SD and HD. In my opinion, the extra definition has more of an impact on the make-up team and the set designers because, regardless of what l...

Submitted by Bob Pank#

Published 01 January 2011

Lighting up Yorkshire

The Yorkshire town of Rawmarsh looks like an easy target. Its trolley buses have come and gone and its two train stations were both wrapped up more than 40 years ago. For many years, it was the home of potters and steel workers; it was a mining town from the 15th century, an industry that survived over 500 years until it was closed by a certain rut...

Submitted by Kieron Seth#

Published 01 January 2011

Ravensbourne 21st Century Broadcast Education

Just over eighteen months ago, Adrian Scott of the Bakewell House Consultancy was commissioned to guide Ravensbourne through the EU Tendering process to appoint a Systems Integrator to transform the broadcast facilities of Ravensbourne as it moved into its new multi-million pound home at Greenwich Peninsula. Winning the contract, TSL rose to the ch...

Submitted by Bob Pank#

Published 01 December 2010

As a Videographer do I need a tripod and head

As you know, video has changed radically over the past few years, with even lighter and more compact cameras producing broadcast-quality HD footage. With new equipment opening up new ways to film and encouraging film-makers, videographers and former photographers to cross over their outdated boundaries, comes a need for new supports to match these...

Submitted by Bob Pank#

Published 01 December 2010

Deskilling or reskilling

I recently went to a demonstration of some really terrific new technology. This is not a technology column so I do not propose to go into too much detail about why I was impressed. I mention it because it started me thinking about a more fundamental issue about our industry today. The demonstration was at the offices of Ibis, a company which has al...

Submitted by Bob Pank#

Published 01 December 2010

Commonwealth Games Will Be All Right On The Night

Fans of Bollywood films will be familiar with the classic Indian wedding storyline in which complete chaos usually engulfs the event right up to the moment when the groom arrives, at which point everything comes together and everyone has a whale of a time and puts behind them the dramas that preceded the ceremony. The XIX Commonwealth Games (CWG) i...

Submitted by Bob Pank#

Published 01 December 2010

Shared Storage Comes of Age

Increasingly stored in digital form, together with related metadata, digital media is in the process of transforming both the technology and process of production throughout the broadcast and post production industries. But as every action precipitates a reaction, every advancement precipitates its own particular challenges. The challenges with dig...

Submitted by Bob Pank#

Published 01 October 2010

Data storage or Media storage

Now I am no techie geek, which in this business could be viewed as a disadvantage, but I do know that in all areas of life the design of the storage container is determined to a large extent by the nature of the thing you want to store. For example, chips (or fries) work in a grease proof paper bag just fine but I like my drinks in a cup, can or bo...

Submitted by Bob Pank#

Published 01 October 2010

Manfrotto 504HD tripod first hands on review

Well we’ve just got our grubby hands on the beautiful shiny new Manfrotto 504HD tripod system.... I believe this to be the replacement for the 503 head that we have many of and tend to use for cameras like the Sony EX1 and EX3 in our fleet. Couple of things straight from the box.. Its light – even though the legs are metal. Comes with the usual pad...

Submitted by Bob Pank#

Published 01 September 2010

Nucoda Film Master builds tension on Mistresses

Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#

Published 01 September 2010

Making the content factory a reality

The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#

Published 01 September 2010