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Eye to Eye: Content Protection 2009

In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie

Published 01 November 2009

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009

Mercedes-Benz Worlds winning formula, Online Creative and...

I set up Online Creative in 1999 after a number of years of linear editing and five years of post working for German non-linear editing manufacturer, FAST, during the pioneering days of digital video. The early 90s were a very exciting time editing with non-linear for the first time, although I haven’t done a linear edit since!Online Creative has g...

Submitted by Dennis Lennie

Published 01 October 2009

Digital Vision case study

The Edit Store, based in London’s W1, is one of the last few independent facilities in the city. Spread across two buildings, the Edit Store provides many of the world’s leading broadcasters with offline, online, grading and audio dubbing facilities primarily for broadcast factual programmes. At the heart of its HD grading suite, introduced in 2008...

Submitted by Dennis Lennie

Published 01 October 2009

Eye to eye Picture displays and multiviewers 2009

The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie

Published 01 September 2009

Tv-bay Digital Signage Special Report IBC2009

Sign of the times at IBCDigital signage – the use of video screens or projectors to create dynamic information and advertising displays – has moved on rapidly from technological showcase and niche market to become a mainstream media. Recent research by Multimedia Intelligence predicts a doubling of the market by 2012, with 2.3 million displays in u...

Submitted by Dennis Lennie

Published 01 September 2009

Beating the Blu-ray coding blues

Tommy Simonsson runs SitoCad in Stockholm, Sweden, a professional video production company specialising in industrial work, conferences and weddings. He shoots in high definition on a Sony PMW-EX3 camcorder, and finishes his projects using the Grass Valley EDIUS nonlinear editor. “When I show them what HD looks like, most of my customers choose Blu...

Submitted by Dennis Lennie

Published 01 August 2009

Ask the Experts on the Topic of Distribution and Delivery

NAB 2009 was fascinating with respect to how many customers were looking for solutions and insisting that manufacturers work together to provide solutions, as opposed to just supplying products. File-based workflows were the talk of the town (well, at least the talk of NAB) and there certainly continues to be significant discussion and implementati...

Submitted by Dennis Lennie

Published 01 August 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009

A Guide to Testing IPTV: Technologies and Challenges Par...

High consumer expectations have put pressure on content producers, network operators and equipment manufacturers to deliver consistently high quality audio and video to their end users. The proliferation of enabling technologies has resulted in a wide variety of formats and standards adding to the complexity of the challenges faced in establishing...

Submitted by Dennis Lennie

Published 01 August 2009

A day in the life of a TV lecturer

0830The Dorset country lanes give way to the flood of traffic into Poole and Bournemouth as I negotiate the rush hour streaming into the seaside town. Driving past Poole Harbour, home of Sunseeker Yachts and the RNLI reminds me that yacht I once dreamed of is still a dream. However, the job I once dreamed of became a reality when I became a televis...

Submitted by Dennis Lennie

Published 01 July 2009

Delivering Superior Quality of Service in IPTV Networks

To maintain differentiation in a competitive triple play market, the key operational challenge for telecommunications operators is how to efficiently deliver superior quality of service (QoS) levels. Intuitive use and simplified presentation of video quality and telecom transmission information are essential to win and keep customers. The video and...

Submitted by Dennis Lennie

Published 01 June 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

Fine design for post.. The IKEA story as told by EDIUS

There can be few companies in the world with greater brand awareness than Swedish-based IKEA, the business that has brought Scandinavian furniture design to the world. IKEA is now bringing its corporate history together in a series of videos and, as befits a highly design conscious company, it has chosen the Thomson Grass Valley EDIUS editing platf...

Submitted by Dennis Lennie

Published 01 March 2009

How and where to do your Post Production.

The world of professional editing and post production has changed dramatically in the last few years. The biggest of the barriers to entry – (cost), has all but disappeared with the advent of desktop editing solutions. Manufacturers like Apple and Adobe and even Avid have made this possible with products like Final Cut Studio 2 and Adobe’s CS3 Prod...

Submitted by Dennis Lennie

Published 01 December 2008