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Ten years is a long time...


by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome
Published 01 May 2015

Venice live productions tools go to the consumer


by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead
Published 01 March 2015

Increase productivity while editing


by Terry Goyette Issue 97 - January 2015 Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools...

Submitted by Terry Goyette
Published 01 February 2015

Four must-haves for modern media workflows: Enhancing you...


by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet
Published 01 February 2015

Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

The right MAM solution


by Michael Shore Issue 91 - July 2014 The best way to determine what features you need in a media asset management system (MAM) is to start at the end. So, when trying to decide what goes IN to your asset management system, you need to first establish what it is that you are trying to get OUT. Several factors need to be considered, including: the p...

Submitted by Michael Shore
Published 01 August 2014

Automation...


by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman
Published 01 April 2014

Ask the Experts: Wireless microphone systems for cameras


by Tobias von Allwrden Issue 86 - February 2014 Wireless microphone systems for cameras are used by ENG crews and reporting teams as well as for TV and film shootings, where compact size, low weight and unobtrusive miking are particularly important. A professional camera receiver like the EK 3241 is designed according to the Unislot or Sony standar...

Submitted by Tobias von Allworden
Published 01 March 2014

Speed and accuracy in post


by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli
Published 01 February 2014

Ooh ahh.. just a little DIT with Will Strauss


by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#
Published 01 January 2014

Facilis TerraBlock tops the charts for T-Series


Issue 80 - August 2013 Founded 24 years ago, T-Series has evolved into Indias top music label, representing more than 1,482 artists over the years including Indian music legends Jagjit Singh and Pankaj Udhas. The media and entertainment company also owns the rights to more than 35,000 audio titles, 2,000 video titles, 42 Hindi films and more. With...

Submitted by KitPlus
Published 01 September 2013

The key to the success of OTT services


By: Antonin Krl, nangu.TV CEOSmartphones and tablets have provided a major technological breakthrough in how we operate. Look around and you’re likely to see someone using their device to search for content, watch content or interact either directly or via social media applications. This is reflected in the Orange Exposure 2012/2013 annual independ...

Submitted by Antonin Kral
Published 01 May 2013

NAB is for soothsayers, trendsetters and people with road...


Unlucky for some…by Will StraussPrototypes, alpha products, demos and proofs of concept: NAB in Las Vegas is all about future innovation. Will Strauss picks 13 stands that you must visit this year. With the dust from BVE barely settled, it’s already time to look towards NAB. I know, I know. Don’t shout at me. I didn’t arrange the broadcast industry...

Submitted by Will Strauss#
Published 01 April 2013

Pointing out the right colours


In the old days of PAL and NTSC analogue television, a vectorscope was an essential tool for examining chroma at every part for the programme production and transmission chain. This was because the colour information was carried as a phase and amplitude modulation which could be sensitive to a variety of transmission or recording non-linearities an...

Submitted by Bob Pank#
Published 01 October 2012

Addressing SAN Allocation and Permission Challenges


Facilities today face a number of management complexities when allocating storage resources, especially as frame-based and 3D workflows increase in popularity and the amount of multi-format media that professionals are managing continues to grow. Camera acquisition formats are various, many workflows employ proxy generation to save space and bandwi...

Submitted by Bob Pank#
Published 01 October 2012