KitPlus | Articles

Disaster Recovery with Peter Savage

by Peter Savage Issue 86 - February 2014 Disaster recovery planning was, on the morning of Sunday 9th February, as far from my mind as was winning the figure-skating gold medal at Sochi. I recall my Rothschild days when we employed one guy whose job was almost totally devoted to what if strategic thinking and preparation. However, Azule is a small...

Submitted by Dick Hobbs.

Published 01 March 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

The impact on media workflows for multi site and cloud op...

by Peter Gallen Issue 85 - January 2014 Many broadcasters are considering multi-site operating or even using the cloud to make their content more widely available. In fact, the trend in broadcast operations is towards distributed operations and cloud will be used increasingly to support workflows over multiple locations in order to maximise efficie...

Submitted by Peter Gallen

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

The circle of life with Dick Hobbs

by Dick HobbsIssue 84 - December 2013 Being a simple soul, I am endlessly fascinated by ideas which are the great new thing one day, rubbished the next, and resurface the day after as the next great thing. In the 1960s, the BBC decided that it was wrong to concentrate all its radio and television production in London, and established national and r...

Submitted by Dick Hobbs.

Published 01 January 2014

To have and to hold... with Polecam!

Issue 84 - December 2013 The meaning of "Darwinism\" has changed over time, and varies depending on its context. While the term has remained in use amongst scientific authors when referring to modern evolutionary theory, it has increasingly been argued that it is an inappropriate term for modern evolutionary theory. For example, Darwin was unfamili...

Submitted by KitPlus

Published 01 January 2014

The UKs PTZ explosion

by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#

Published 01 December 2013

Addressing lingering loudnes challenges

by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs

Published 01 December 2013

Embracing the 4K future with next generation encoding tec...

by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#

Published 01 December 2013

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

Making an advert with the Blackmagic Cinema Camera

by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn

Published 01 September 2013

Ask the experts with TMD looking at LTFS

by Tony TaylorIssue 80 - August 2013 Not another acronym! What is LTFS?LTFS stands for Linear Tape File System. It is a file system for data archives, developed by IBM but published as an open standard and now widely adopted by all the leading vendors of large-scale data archiving. If it is a data product, why am I reading about it in a broadcast m...

Submitted by Tony Taylor

Published 01 September 2013

4K is bigger than size alone

by Bob PankIssue 79 - July 2013 It seems that numbers are a great eye-catcher and 4K was everywhere at NAB, and will be at IBC too. Here, of course, we are talking about a TV system with four times the number of pixels of HD, namely a picture area of 3840x2160 for TV, or for cinema 4096x2160. At the recent BeyondHD conference in London discussion a...

Submitted by Bob Pank#

Published 01 August 2013