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#TVFUTURES


by Danny Hutchings Issue 89 - May 2014 Quite a lot has happened since my last article here with tv-bay in January!Previously I mentioned how we where working on a 25-30 minute IPTV music show and since then have finished that project with a high merit. We cut the final project up into sections to give to the talent their part of the show; they all...

Submitted by Danny Hutchings
Published 01 June 2014

From the edge of nowhere to the centre of everywhere


by Joe Fulford Issue 88 - April 2014 Getting your images back to a studio for broadcast can be done in many ways. Getting the tapes or cards back to the studio will take however long it takes a dispatch rider to get there, and sometimes its just not possible to get a motorcycle out to your location. You can transfer the files via FTP from another l...

Submitted by Joe Fulford
Published 01 May 2014

Where no satellite truck has gone before


by Bogdan Frusina Issue 87 - March 2014 For several weeks last year, the world was focused on Rome. Broadcasters from around the world converged on the city to cover the events surrounding the resignation of Pope Benedict XVI and the selection of his successor. Existing cellular towers were overwhelmed with traffic on the key celebration days, when...

Submitted by Bogdan Frusina
Published 01 April 2014

Collaboration and flexibility in post production workflow


Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus
Published 01 April 2014

Looking to the Cloud for broadcast business success


by Tom Donoghue Issue 87 - March 2014 More and more, todays highly competitive and rapidly evolving marketplace is ruled by consumer demand for seamless anywhere, anytime, any-device access to high-quality content. Broadcasters are learning quickly that competitive advantage is all about finding new ways to engage audiences and attract advertisers...

Submitted by Tom Donoghue
Published 01 April 2014

Digital Communications


by Christian Bockskopf Issue 87 - March 2014 1. What does Riedel do? Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems,...

Submitted by Christian Bockskopf
Published 01 April 2014

4k testing in todays world


by Adam Schadle Issue 86 - February 2014 1. With the need to ingest and process video from a number of sources, broadcasters are faced with a multifaceted need to handle all types of formats including 4K. What is your multi-resolution strategy?With the emergence of new compression standards such as High-Efficiency Video Compression (HEVC), which of...

Submitted by Adam Schadle
Published 01 March 2014

Data security in the cloud


by David Peto Issue 85 - January 2014 Cloud computing, forecast to become a $150 billion industry by 2014, is not only growing, its transforming almost every industry. And it could transform TV and broadcast media too, especially when it comes to first mile production, collaboration and data security. Modern production requires increasing numbers o...

Submitted by David Peto
Published 01 February 2014

The impact on media workflows for multi site and cloud op...


by Peter Gallen Issue 85 - January 2014 Many broadcasters are considering multi-site operating or even using the cloud to make their content more widely available. In fact, the trend in broadcast operations is towards distributed operations and cloud will be used increasingly to support workflows over multiple locations in order to maximise efficie...

Submitted by Peter Gallen
Published 01 February 2014

OTT: Back to basics


by Lorna GarrettIssue 84 - December 2013 Going over the top opens up boundless opportunities. Just make sure you work with someone who can help you over the potential pitfalls. Not that long ago, if asked to envisage a family watching television, you probably would have pictured Mum and Dad seated on the sofa, while a couple of children lay sprawle...

Submitted by Lorna Garrett
Published 01 January 2014

Get the lowdown on HEVC compression


by Keith WymbsIssue 84 - December 2013 The high-efficiency video coding (HEVC/H.265) compression codec, which was standardized earlier this year, brings broadcasters and other content distributors multiple opportunities, including:- Decreased bandwidth enabling the addition of more channels and increased quality while lowering bitrates. - Improved...

Submitted by Keith Wymbs
Published 01 January 2014

Service providers should see OTT as a revenue opportunity


by Haggai BarelIssue 84 - December 2013 Todays content service providers can use over-the-top (OTT) content to enhance the viewing experience for their subscribers and generate revenue for their service offerings. To accomplish this, however, service providers must overcome the initial - and justified - belief that OTT is a threat that must be bloc...

Submitted by Haggai Barel
Published 01 January 2014

Addressing lingering loudnes challenges


by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs
Published 01 December 2013

Embracing the 4K future with next generation encoding tec...


by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#
Published 01 December 2013

Bob Pank looks at shooting 4K TV


by Bob PankIssue 82 - October 2013 Not unexpectedly IBC was full of buzz and products for 4K the new image format for television. This is generally taken to be a 2x2 version of HDTVs 1920 x 1080, i.e. defining a 3840 x 2160 pixel picture. But there is nothing new about big pictures like this. Back in late 2004 a draft of the Digital Cinema Initiati...

Submitted by Bob Pank#
Published 01 November 2013