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NAB is all about people


The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge. At Media Links we have been supplying our leading-edge technology for the world’s most watched global sports events for many years. Our te...

Submitted by John Smith -new
Published 26 March 2018

Why OTT needs multicast ABR


Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay. However, OTT doesn’t just mean video on demand but extends to live streaming too. Dri...

Submitted by Damien Lucas
Published 26 March 2018

A new AEON in Wireless 4k


Whatever production companies are doing right here, right now, today, with wireless HD production tools, they want to do right here, right now, today with 4K UHD. That’s great, but common wisdom would share a host of challenges around 4k UHD, not least, the fact that 4K UHD requires 8x the processing power to transmit, then demands additional horse...

Submitted by JP Delport
Published 12 February 2018

Empowering connectivity choice in the field


Reliability, flexibility and ease of use are the key requirements when covering the news and live events, especially when the location could be anywhere. Connectivity is one of the biggest concerns in the field when the pressure is on to capture a key event – if you cannot establish a reliable transmission path to send your video back to the broadc...

Submitted by Yvonne Monterroso
Published 12 February 2018

Somewhere down the latency river


Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality. But they’re not...

Submitted by Ben Hawker
Published 12 February 2018

Taking the lead in the HEVC and 4k revolution


There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help...

Submitted by Malcolm Harland
Published 12 February 2018

Studio Invate - Case Studio


Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location wo...

Submitted by KitPlus
Published 12 February 2018

Playing with Pink Floyd


For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus
Published 12 February 2018

A Pandoras Box to empower the filmmaker


The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anch...

Submitted by KitPlus
Published 12 February 2018

Canon C200: Tried and Tested


There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us –...

Submitted by Ben Sherriff
Published 12 February 2018

Panasonic GH5: Tried and Tested


My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder
Published 12 February 2018

Steadicam M-1 Volt: Tried and Tested


Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s...

Submitted by John E Fry
Published 12 February 2018

2018: A Changing of the Guard


The guys at KitPlus asked me if I could write about what I think is going to happen in 2018 – a feel, or mood, piece of what we might see this year. I’m not sure why they asked me but perhaps it’s because I’ve been around the industry a long time. Anyway, to look forward I think sometimes it’s best to look back as history has a habit of repeating i...

Submitted by Peter Savage 2
Published 12 February 2018

A Bluffers Guide to Batteries


The Christmas decorations are down; the family have all headed home – and the New Year’s festivities have drawn to a close. I put my hand up to it – I’m a little drained. As such, I figured I’d start the new year with a Bluffer’s Guide to Batteries. With the cold weather setting in, it can be a nightmare to pick the right disposable batteries for s...

Submitted by Mike Colyer
Published 12 February 2018

Class: Do we still need standards


On the 1st January 2018, I officially took on the post of SMPTE Standards Vice President. The role has responsibility for all of SMPTE’s standardisation activities and it fills me with equal measures of excitement and terror. A big thank you to Alan Lambshead who, after 4 years as Standards Vice President is handing over the post to me. I think it...

Submitted by Bruce Devlin - new
Published 12 February 2018