KitPlus | Articles

Monitoring made easy

by Beth Zarkhosh Issue 95 - November 2014 Making sure you capture the right sound correctly throughout your filmmaking is one of the most important aspects of the shooting process, an element that many seem to get wrong time and time again. Whether you\'re filming an interview, documentary or short film, the audio recording is an intrinsic part of...

Submitted by Beth Zarkhosh

Published 01 December 2014

An artist gets bored of the same colour palette

by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant

Published 01 December 2014

Africans in London TV

by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail

Published 01 December 2014

6

Issue 94 - October 2014Must have or just a dream? Either way these 6 stood out this month Just released is the HERO 4 in two varieties. The Silver has a useful touch screen and 4k at 15fps and the Black shoots 4k at up to 30 fps, has no touch screen but does have upgraded audio amongst other benefits. The new LISHUAI C200S on camera LED light provi...

Submitted by KitPlus

Published 01 November 2014

Professional Media Card Readers

by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte

Published 01 November 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Move and Deliver

Issue 93 - September 2014 In an industry that hands out a lot of awards, it can be easy to take the revelation of each golden statuette or glass embossed brick with a pinch of salt. When NATAS hands out a Technology and Engineering Emmy, however, people sit up and take notice. This month Video Services Forum, Media Links, Nevion, DVBlink, Inc, Harr...

Submitted by Will Strauss#

Published 01 October 2014

Fashionable Live Streaming

by Katie Phibbs Issue 93 - September 2014 For the launch of their Autumn Winter 2014 collection, Ted Baker called on London studio 3xScreen Media to provide an ambitious production and live streaming solution. The brief was to provide catwalk coverage via four simultaneous live streams viewed in a player designed and built for purpose. The fashion...

Submitted by Kate Phibbs

Published 01 October 2014

A Closer Look at DVB-S2X

by Joerg Rockstroh Issue 93 - September 2014 Is DVB-S2X a feature set on top of DVB-S2 or a complete new signal form?DVB-S2X is an extension of the DVB-S2 specifi cation that formalizes existing features (e.g., smaller roll-offs) in addition to introducing completely new features (e.g., higher MODCODs). This enables operators to achieve substantial...

Submitted by Joerg Rockstroh

Published 01 October 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

Vision for the future of TV

Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus

Published 01 September 2014

Internet streaming the greatest challenges

by Simon Homent Issue 91 - July 2014 What is Wuaki.tv and who do you target?Wuaki.tv is a leading movie and TV series streaming service, dedicated to providing consumers with a wide selection of high quality content through a la carte rental and purchase or subscription services. The goal is to become Europes best way of watching and experiencing h...

Submitted by Simon Homent

Published 01 August 2014

The Importance of Storage

by Nino Leitner Issue 90 - June 2014 When I was a student in film school, I never put much thought into storage solutions for my film work. This was quite haphazard and looking back on it now, quite a foolish approach to work I cherished. Of course, my story has a nasty sting in its tail - one day I lost a years worth of university work, which I ne...

Submitted by Nino Leitner

Published 01 July 2014

Atomos Samurai Blade and Connect Converter TSG

by Kevin Owen Issue 90 - June 2014 Kevin Owen has worked in live television broadcast industry for the past 10 years, specializing in fiber optic systems integration and video engineering. Troubleshooting problems on the fly, often at remote locations away from the production truck has become an integral part of his job. Kevin is most often found w...

Submitted by Kevin Owen

Published 01 July 2014

Made with love

by Simon Marett Issue 89 - May 2014 It can wash over you, hardly heard but intensely felt. It can convey a mood without a word being spoken. It can jar and jangle your nerves - in a good way, if its a thriller. Or it can make you cry. The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, t...

Submitted by Simon Marett#

Published 01 June 2014