KitPlus | Articles

Bob Pank looks at Editing and the Cloud

By Bob PankHistorically video editing has been one of those operations shaped by technology. For decades it depended on VTRs to play and record. You had to go to an edit room, usually darkened and with loads of buttons and winking lights, to get your edit done by a video editor. It was not cheap. Then, with video stored on computer discs, editing w...

Submitted by Bob Pank#

Published 01 February 2013

Smart technology and local TV

We work with both marketing agencies and SME businesses across the UK and it is vital to our company to predict the digital marketing trends before they happen. Local TV and Smart televisions will have a great say in the way we communicate and throw in to the pot Social Media and we suddenly have the three core elements which will make up televisio...

Submitted by christopher walkey

Published 01 February 2013

Why does my project look different on every screen I watc...

By Thomas UrbyeThe age old question, asked by so many people who’ve come through my suite: “I’ve downloaded it to my laptop and it looks different?”Then there is the inevitable panic:“Thomas, how can we make sure that everyone who watches it, watches it ‘properly’?”This issue recently came to light with a campaign backed by moviemakers launched to...

Submitted by Thomas Urbye

Published 01 February 2013

To cloud, or not to cloud

Almost ever since it began, there have been two parameters that have played a big part in shaping broadcast television – bandwidth and storage. Admittedly, storage was not an issue at the start because there was no way to do it, but Ampex changed that in 1956. Bandwidth dictates many aspects of infrastructure and broadcast picture quality, the amou...

Submitted by Bob Pank#

Published 01 January 2013

3D for Cinema, ProAV and Events

Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

Twas the issue before Christmas;

As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#

Published 01 January 2013

3d Screens

Often exhibitions such as IBC and NAB can be summed up as progressive – slightly better products but nothing really new. Sometimes there is a breakthrough such as Ampex’s introduction of the VTR in 1956. The early years of digital production and post tools were rich in totally new things. At the time I worked at Quantel and seeing inventions like P...

Submitted by Bob Pank#

Published 01 December 2012

The semantic web made simple

There is a new term creeping in to discussions in the broadcasting business, and particularly around those involved in asset management and research projects. The term is “semantic web” and, I suspect, there are a lot of people who are neither completely sure they know what it means, nor trust its relevance in our business. I aim to provide some si...

Submitted by Bob Pank#

Published 01 November 2012

Understanding and Managing the Piracy Continuum

Content owners, content distributors and security vendors have traditionally characterized digital “pirates” as a single malicious group with ill intentions. This, however, is seriously short-sighted because it is an overgeneralization that not only overshadows true consumer behavior, but results in misguided piracy mitigation tactics and missed re...

Submitted by Bob Pank#

Published 01 November 2012

OTT Monitoring: keeping it simple and useful

IntroductionOTT is generally understood to mean a technique where the transmission of video to the subscriber is based on the same underlying methods as those currently being used to serve out web pages on the internet today. The Over-the-Top name refers to the potential of this technology for bypassing existing traditional television distribution...

Submitted by Bob Pank#

Published 01 October 2012

New Solutions for Accelerated and Secure Movement of High...

For broadcasters and media enterprises of all shapes and sizes, the ability to move critical content rapidly and securely from point A to point B has always been important – but it’s never been so complex and rife with risk as in today’s multiformat, multiscreen content delivery environment. Today’s broadcasters and content owners are often require...

Submitted by Bob Pank#

Published 01 October 2012

Summer of 3D

Having put 3D to one side for a few months it was very interesting to jump back into the third dimension. With 3D not making the headlines much, if at all, you might be lulled into thinking it has faded away, but that’s not the case. Many events are being shot in 3D, including the Olympics and, although there has been nothing happening that could b...

Submitted by Bob Pank#

Published 01 September 2012

Mastering a tough business

I recently had a great day out, visiting a company which is enjoying a massive boom in business, has customers prepared to wait as much as a year for its products, and is trying to recruit dedicated staff to increase output. Yet its chairman says “manufacturing is a tough business to be in”. In 1892 a remarkable picture was taken, on a 5” x 7” plat...

Submitted by Bob Pank#

Published 01 September 2012

4KTV The next bigger thing?

4KTV – The next bigger thing?The history of 4K digital moving images goes way back to the mid 1990s. That was when film effects started to be processed digitally and produced amazing results – maybe a bit too amazing for some. Of course the effects had to be seamless and so the digitised effects images had to carry all the required detail of the 35...

Submitted by Bob Pank#

Published 01 August 2012

Evolving Test and Measurement

Time and accuracy are vital when producing content for broadcast. All broadcasters have strict schedules to work to, as well as visual and audio standards that need to be met. Effective testing and measurement (T&M) of any material that is to be transmitted is key to ensuring these parameters are adhered to, for both producer and broadcaster; get t...

Submitted by Bob Pank#

Published 01 August 2012