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Emphasising Television in streaming television


by James Gilbert Issue 96 - December 2014 There have been all sorts of doom and gloom stories, over a decade or more, about how television is changing. Budgets are being slashed, workflows are becoming automated, and standard IT hardware is taking over from bespoke broadcast kit. But despite all this, television still looks good. If you watch telev...

Submitted by James Gilbert
Published 01 January 2015

4k - The biggest New Years resolution


by John Ive Issue 96 - December 2014 Whether it is Ultra High Definition (UHD), 4K or 8K - the predictions surrounding when and if this higher resolution format will become a widespread reality are still rife in the broadcast and media industry. The consensus in the sector seems to be that we may be edging marginally closer. However, many of the ba...

Submitted by John Ive
Published 01 January 2015

An artist gets bored of the same colour palette


by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant
Published 01 December 2014

Sony PXW-FS7


by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman
Published 01 November 2014

Every Thing You Every Needed to Know About Flying a Drone


by Jon Pratchett Issue 94 - October 2014 Last month we went over some of the legal issues with flying unmanned aircraft in the UK, especially if you attach a video camera to them and charge for your services as an aerial videographer. This month, let\'s look at what you need to get started kit wise in this business. First of all, I would like to po...

Submitted by Jon Pratchett
Published 01 November 2014

Manipulate and Edit


Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#
Published 01 October 2014

How to Sell a Film Before it is Made


by Beth Zarkosh Issue 93 - September 2014 Independent filmmakers can produce some of the most gripping, compelling and original cinematic works around, but without funding it’s a real struggle to piece together the requisite resources for such productions to get the backing that they deserve. So what’s the answer? Simple - sell the DVD before you’v...

Submitted by Beth Zarkhosh
Published 01 October 2014

Internet streaming the greatest challenges


by Simon Homent Issue 91 - July 2014 What is Wuaki.tv and who do you target?Wuaki.tv is a leading movie and TV series streaming service, dedicated to providing consumers with a wide selection of high quality content through a la carte rental and purchase or subscription services. The goal is to become Europes best way of watching and experiencing h...

Submitted by Simon Homent
Published 01 August 2014

The Evolution of TV to the Bus Train and Park Bench


by John Mills Issue 90 - June 2014 A Digital RevolutionSince the not-quite-fully-electric late nineteenth century, Television has been evolving. The first major, modern change to the way people experienced TV was when technology enabled them to decide when they were going to watch the programmes they wanted to watch. VHS recorders and then DVD play...

Submitted by John Mills
Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP


by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom
Published 01 July 2014

Object of desire


by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#
Published 01 June 2014

Fixing that inhospitable location shoot


by Harry Amies Issue 88 - April 2014 Say Iran. What do most people think of? Hostage-taking, nuclear programmes, angry mobs, CGI outsourcing, VFX, a multi-million dollar movie industry? If Harry Amies and Amir Rezazadeh of UK based co-producers HarryAmir have anything to do with it itll be the last three. HarryAmir is a UK-based company, that helps...

Submitted by Harry Amies
Published 01 May 2014

Filming from the edge


by Christoph Steuer Issue 88 - April 2014 My role is providing the top shot for all these high dive events, which means that I must rig my Polecam and operate it from a small platform set up even above the divers at around 30m up from the water below. Some locations are more difficult than others, and when I think of the most difficult, Oman in 201...

Submitted by Christoph Steuer
Published 01 May 2014

Collaboration and flexibility in post production workflow


Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus
Published 01 April 2014

Bob Pank looks at the size of 4k


by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#
Published 01 March 2014