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Learning from the master


In 1985 I took a job at Logica. In those days we were developing systems for teletext and subtitles, and later for graphics management, using computer hardware from DEC, a brand name that disappeared in 1998 when it was acquired by Compaq. The PDP-11 was revolutionary in that it was a 16 bit computer, but even then there was a suspicion that it did...

Submitted by Bob Pank#
Published 01 December 2011

How mobile phone video will change the world


With every man and his dog owning a smartphone, the whole world is now able to film and edit HD video right from the palm of their hands. How will this change the professional landscape and more importantly will it change things for the better?Just over ten years ago I was in college trying to create my first short film. Boy, how things change! At...

Submitted by Bob Pank#
Published 01 December 2011

Fast 3D


It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#
Published 01 November 2011

Protecting your assets, safe storage and long life archiv...


A vast amount of information exists out on the Internet that can be very helpful but also misleading and confusing on how best to protect digital content over time both from degradation of content and from piracy. Thinking back on my twenty plus years in the industry, it is my personal opinion the first creative professionals to experience problems...

Submitted by Bob Pank#
Published 01 November 2011

Capturing the Gumball 3000 Rally 2011 with an iPhone4


Sons of Oscar nominated Director - Mike Figgis, Arlen and Louis Figgis, were tasked this year with following and recording the Gumball 3000 Rally. The Gumball 3000 is an annual 3,000-mile (4,800 km) international road rally which takes place over 8 days on public roads, with a different route around the world each year. Founded in 1999 by Maximilli...

Submitted by Bob Pank#
Published 01 November 2011

Doing 3D by the book


'3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy' (ISBN: 978-0-240-81461-2) is Bernard Mendiburu’s latest book, published this summer by Focal Press. It follows on from his previous success ('3D Movie Making') which has had several reprints to keep up with demand. Since the first book came out two years ago, the art of 3D media, t...

Submitted by Bob Pank#
Published 01 October 2011

Ask the Experts on Storage and Archive


What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#
Published 01 October 2011

3D a Geographic Thing


It may just be coincidence but, in the last week, two stories about 3D in Scandinavia have landed on the 3D Diaries desk. Of course two swallows do not a summer make but maybe there is a trend here, with some nations embracing the third dimension more than others. Sony Professional is currently building what they claim is Scandinavia’s first 3D-rea...

Submitted by Bob Pank#
Published 01 September 2011

Panasonic AF101 review


In 2008 Canon released its latest stills camera the 5DMk2. Little did they know what they had released on the videographers world. This so called STILLS camera had a hidden talent, that of course of remarkably good 1080p video. The indie film makers went wild, no more did they have to bolt on large cumbersome depth of field adapters to their video...

Submitted by Bob Pank#
Published 01 September 2011

Game, Set and Match


It was only three months ago that this column hailed featured the new DVB-3DTV standard. But already there’s talk of a second version, or rather ‘phase’, as described by David Wood of the EBU in the new 3D Roundabout newsletter. In a way this is healthy. It shows just how fast 3DTV is moving and, whereas phase 1 is designed to work with existing 2D...

Submitted by Bob Pank#
Published 01 August 2011

HTML5 and H.264. Friends United....


H.264 - The Success StorySome technologies like DVD, CD, TV and the PC prove themselves over time. They are practical, flexible, reliable - even universal. Is H.264 one of those magic bullet technologies?H.264, also known as MPEG-4 Part 10 or AVC, is the video codec that has taken the broadcast and consumer world by storm. In 2008, Anthony Rose, fo...

Submitted by Kieron Seth#
Published 01 August 2011

Can second-screen apps really add value to the broadcast...


As today’s consumers watch television, many of them are engaging with media through multiple devices at once. In fact, some studies indicate that as much as 50 percent of television viewers are regularly online as they watch. They are posting and tweeting on social networking sites, checking movie and actor facts on sites such as IMDB, and even vis...

Submitted by Kieron Seth#
Published 01 August 2011

So what is Digital Television - Part 1


It is tempting to think of “digital television” as something very scientific and even complex. But when we view the end result, we find something very familiar; something television engineers have sought since the very beginning…an experience that just keeps getting better and better…quality video and audio conveying great entertainment, sport, mov...

Submitted by Bob Pank#
Published 01 July 2011

Reviewed DSC Labs Chroma Du Monde


Visual Impact were provided with a DSC Labs CamAlign CDM 28R Chroma Du Monde to test at their Teddington base this week, and unsurprisingly were impressed with what they found. Upon first impressions, the test chart seemed to employ a far too reflective surface which would inherently cause unwanted reflections and thus yield incorrect results. A br...

Submitted by Bob Pank#
Published 01 July 2011

Post Production Ask The Experts


IntroductionIt’s a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs...

Submitted by Bob Pank#
Published 01 May 2011