KitPlus | Articles

Crossing the TV Divide

by Kieron Seth Issue 102 - June 2015 From corporate to TVFor years, Reels in Motion has been associated with producing high quality live events and corporate video. Its ongoing project with The Property Investors Network is typical of the kind of long term projects the midlands-based company is involved in. Tasked with recording all day training wo...

Submitted by Kieron Seth#

Published 01 July 2015

Marketing is everything and everything is marketing

by Den Lennie Issue 101 - May 2015 Marketing for filmmakers can be very intimidating. I think it must have something to do with being creative; we seem to be more concerned with creating content than creating new business. In simple terms, marketing is simply about putting your message in front of the right customers at the right time, so that when...

Submitted by Den Lennie

Published 01 June 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

Finding the Oracle of audio capture

by Simon Tillyer Issue 101 - May 2015 With over 300 hours of YouTube video uploaded every 60 seconds it\'s not hard to understand why any manufacturer would be looking closely at the new generation of emerging filmmakers whether they be in the consumer (creating content for "fun") or prosumer (creating content for a fee) markets. You might however...

Submitted by Simon Tillyer

Published 01 June 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

DOPs discuss minicams, lenses, 4k and all

by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan

Published 01 May 2015

Sky takes sports to the limit

Issue 99 - March 2015Sky, Europe\'s leading entertainment company with more than 20 million customers across five countries, is renowned for being one of the world\'s top sports broadcasters. From the massively popular Premier League, to a raft of other sports rights including rugby, cricket and darts, Sky provides sports fans with an unrivalled of...

Submitted by KitPlus

Published 01 April 2015

How to read Video Scopes

by Larry Jordan Issue 98 - February 2015 Understanding what video scopes tell us about our images is essential to creating great looking images; regardless of which video editing software you are using. In this article, I want to explain the basics of video scopes and how to read them. A QUICK BACKGROUNDEach video image is composed of pixels, small...

Submitted by Larry Jordan#

Published 01 March 2015

Hands-on with the Antelope PICO ultra slow motion minicam

by Mel Noonan Issue 98 - February 2015 Super slow motion, or super motion, has been around for years and is mostly 3x recording speed. If you record say 3 seconds of action and play it back at normal European production frame rate you\'ll have 9 seconds of slow motion replay. These cameras must integrate with the live production workflow in use. SS...

Submitted by Mel Noonan

Published 01 March 2015

Expanding Arqiva into HD playout

ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#

Published 01 January 2015

Stars of the show - A visitors view

by Ben Sheriff Issue 96 - December 2014 Yesterday TV-BAY - Kit Plus came to East London\'s Brick Lane showcasing a roadshow packed with great seminars and kit to whet our appetites in advance of BVE in February. It was no great surprise that, for the DPs and camera operators at least the star of the event was the Sony PXW-FS7. Sony\'s latest large...

Submitted by Ben Sherriff

Published 01 January 2015

The Tour Revisited

Issue 96 - December 2014The November tour attracted over 1500 registrations visiting London and Manchester for one day in Shoreditch and the next in MediaCityUK. We asked people what they thought and there was simply too much to print. However here are the selected, together with our gallery and answers where there were issues, comments from visito...

Submitted by KitPlus

Published 01 January 2015

#TVFUTURES

by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome

Published 01 January 2015

Social Media... a filmmakers new best friend?

by Beth Zarkhosh Issue 96 - December 2014 Social media platforms can be extremely helpful the mediums such as Facebook, Twitter, Instagram, LinkedIn and Youtube can be utilised for everything from generating interest in a project and sourcing ideas, getting feedback to getting funding. Sifting through my own personal Facebook and Twitter feeds I am...

Submitted by Beth Zarkhosh

Published 01 January 2015

The Autoue Motion Pro camera stabiliser

By Matt LyneThe Autocue Motion Pro camera stabiliser is a brilliant piece of kit for getting high movement shots whilst also maintaining the ability to pan/tilt with ease. It is light compared to similar functioning stabilisers however prolonged use will quickly tire out your arm due to the manner in which you hold it with one hand at almost arms l...

Submitted by Matt Lyne

Published 01 January 2015