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Robotic cameras on location


Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie
Published 01 February 2010

Eye to Eye: Lighting and lighting control


In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie
Published 01 December 2009

Tv-bay industry recruitment special


The last 12 months have proved to be challenging times for businesses in our industry and there has been mixed reactions on the best way to tackle the issues facing companies. Having been a part of the most difficult economic climate within the last decade a number of businesses are simply focussing on survival, staying afloat and consolidation. Ha...

Submitted by Dennis Lennie
Published 01 December 2009

Five Best Practices for Securing Your Content during Coll...


That is the sound of your content leaking into the hands of pirates – costing the industry billions. Wolverine, Iron Man and Indiana Jones and the Kingdom of the Crystal Skull are just some of the movies reported to have been leaked. The same holds true for TV content – though some argue that when a pilot or season premiere leaks – it falls into th...

Submitted by Dennis Lennie
Published 01 November 2009

Mercedes-Benz Worlds winning formula, Online Creative and...


I set up Online Creative in 1999 after a number of years of linear editing and five years of post working for German non-linear editing manufacturer, FAST, during the pioneering days of digital video. The early 90s were a very exciting time editing with non-linear for the first time, although I haven’t done a linear edit since!Online Creative has g...

Submitted by Dennis Lennie
Published 01 October 2009

Digital Vision case study


The Edit Store, based in London’s W1, is one of the last few independent facilities in the city. Spread across two buildings, the Edit Store provides many of the world’s leading broadcasters with offline, online, grading and audio dubbing facilities primarily for broadcast factual programmes. At the heart of its HD grading suite, introduced in 2008...

Submitted by Dennis Lennie
Published 01 October 2009

Eye to Eye New post-production kit at IBC 2009


This alphabetical overview of new video and film post-production kit at IBC 2009 was going to start with Apple but the company pulled out of both NAB and IBC in 2008. I begin instead with Avid which has certified its Media Composer, NewsCutter, Symphony and DS software to run on the new HP Z series Workstations – the HP Z800 and HP Z400. Avid custo...

Submitted by Dennis Lennie
Published 01 October 2009

How to choose a broadcast display


How to choose a broadcast display…10 years ago, buying a CRT monitor was simply a case of buying the latest version of your facilities favourite brand in either Grade I or II. The advent of the LCD, HD and the demise of the CRT means we have now to try and decipher all the marketing jargon to work out which display best fits our needs. To help de-m...

Submitted by Dennis Lennie
Published 01 September 2009

Eye to eye on Broadcast content management 2009


Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie
Published 01 August 2009

IBC2009 set to be a successful show


IBC COO Michael Crimp is "confident but not complacent\" as he tells how IBC is building a vibrant and healthy IBC2009. How are plans for IBC2009?Exhibition bookings for IBC2009 are still very strong. Currently we are about 10% down on the final space requirement for last year, which at this time is very good. My view is that we will have an excell...

Submitted by Dennis Lennie
Published 01 July 2009

Eye to Eye File-based content distribution 2009


The rapidly divergent pattern of broadcast market development resembles the branches of a fast-growing tree. But there is one crucial aspect in which the industry is quite obviously converging: the transition from video and audio to file-based content distribution and delivery. This would have happened anyway given the increasing popularity of the...

Submitted by Dennis Lennie
Published 01 June 2009

From little acorns....


So what do we do? We have done little for television – our market place is much more modest. Parafotos has its origins in the early sixties when I started filming free fall parachuting– having to cope with a Bolex H16 strapped to the side of my helmet during the opening of the parachute was an interesting experience which no doubt accounted for an...

Submitted by Dennis Lennie
Published 01 May 2009

A brief history of Cooke, the UK pioneer of motion pictur...


UK manufacturing has been dwindling for years now to the frustration of many with cheaper solutions in the Far East enabling more competitive products and so on. For this reason it was so refreshing to met with the owner of Cooke Optics, Les Zellan, and take a tour of a real factory, making real products from raw material to end products – the Cook...

Submitted by Dennis Lennie
Published 01 April 2009

Filters for HD Cinematography


The availability of low-cost HD camcorders with film-style tools, like 24 frame-per-second imaging and quality lenses, has put filmmaking capability in the hands of many. To achieve a film-style look, a director of photography can add a compliment of optical filters. Such filters can not only make color and other corrections to the image as it is s...

Submitted by Dennis Lennie
Published 01 April 2009

The SxS vs MxT Debate


We are all probably already tired of hearing the phrase ‘cutting costs’ but the reality is that ways have to be continuously found to reduce our production costs in order to stay competitive. The question is – are some savings a false economy or are they really worth it?We have been hiring out Sony’s XDCAM EX cameras for over a year and they are no...

Submitted by Dennis Lennie
Published 01 April 2009