KitPlus | Articles

Epictech makes headway: A case study

Founded in January 2014, EpicTech Media have been providing high end video production to companies and musicians across the U.K. for over three and a half years. When approached earlier this year by the band Bodkin Lane, we relished the challenge of producing a video of their charity concert, in aid of Headway (www.headway.org.uk), despite the chal...

Submitted by Daniel Harker Barnes

Published 12 February 2018

AoIP in the intercom world

Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow

Published 17 January 2018

Reunion on Kingsman ensures efficient workflow for sequel

Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The G...

Submitted by KitPlus

Published 02 November 2017

IP Prompting

The potential nirvana of interoperable IT, Telecommunications and Broadcast convergent technology definitely felt a lot closer at this years IBC with the launch of many, many broadcast IP ready devices, workflow and solutions. While the big ticket camera and live production infrastructures dominated the headlines there were a number of smaller but...

Submitted by Jon Hilton#

Published 02 November 2017

IP or not IP, that is the question

There can be a one size fits all approach to prompting, but with the many forms of production in todays broadcasting world - from a major sporting event, to the biggest Saturday night entertainment show, to a 24-hour news operation or prompting on location - it is unlikely that a single system will suit every circumstance. The equipment needs to be...

Submitted by Brian Larter

Published 02 November 2017

Supporting broadcast quality control

With the ever-increasing number of program channels and range of different program distribution formats, the process of ensuring program quality has become a complex one for contribution/capture, production, post production, server ingest and content distribution. Add to this the complexities of HDR and WCG gamut, it is essential to ensure that the...

Submitted by Alan Wheable

Published 02 November 2017

Growing a news agency from the inside out

Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satel...

Submitted by Lorna Garrett

Published 02 November 2017

Atomos Ninja Inferno REVIEWED

Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters

Published 19 October 2017

Production Communications in a Shrinking World

Communications today is a critical issueno matter if you are producing broadcast television, doing a live festival or rock concert outdoors, setting up a musical on the West End, or producing a local school play. Over the last few years, the proliferation of cell phones and other wireless devices has made it clear that most people prefer to communi...

Submitted by Gary Rosen

Published 19 October 2017

The party is not over until the video is online

When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or...

Submitted by Paul Scurrell

Published 19 October 2017

Peace of mind in a complicated world

For many in the broadcast industry these are challenging times. With competition coming from all angles and different technological camps advocating different approaches to infrastructure and the way forwards. With the number of different variables increasing, the choices of whether to use SDI or IP infrastructures, and the choices around HDR and W...

Submitted by Alan Wheable

Published 19 October 2017

Back to Basics with IP Video Production

Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson

Published 19 October 2017

Managing colour from aquisition to delivery

Start with calibration The right colour management process can be the difference between being certain of what the end results are going to be, and having to spend time fixing things in post production. When we talk about colour management whether it is for photography or video it has got to start with calibrated monitors. Many people think about...

Submitted by Ollie Kenchington

Published 19 October 2017

Implementing an IP workflow

i The eventual move to incorporate IP into your infrastructures is an inevitability. However, with justified concerns about interoperability and uncertainty about which vendors are best placed to help organisations achieve their IP media networking and content delivery goals, is it any wonder there is hesitation about moving forward? Broadcasters v...

Submitted by John Smith -new

Published 07 September 2017

Understanding the process of video production

i In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional resul...

Submitted by Joseph Adamson

Published 07 September 2017