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Perimeter LED screens management

Opened in January 2016, Parc Olympique Lyonnais, also known as Groupama Stadium, is the new home of Olympique Lyonnais football club, one of the most popular clubs in France. Since its inauguration, the stadium was a host of UEFA Euro 2016, and was also chosen to stage, among other important events, the 2018 UEFA Europa League Final and football at...

Submitted by Nicolas Houel

Published 08 September 2018

Fast-moving productions need multi-cam RF reliability

Wireless acquisition creates a level of freedom not possible with any other form of filming yet only a decade ago the technique was barely possible. The technology enabling live real-time connections over radio frequencies has advanced leaps and bounds such that there is barely an entertainment, documentary, sports or news format today that doesn’t...

Submitted by Darren Bilton

Published 08 September 2018

Investing in the Future of Broadcast Media

At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournam...

Submitted by Clive Northen

Published 18 July 2018

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...

Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes

Published 18 July 2018

A Sound in Motion QA

Can you provide background on your recent project, “A Sound in Motion”?“A Sound in Motion started as a camera test for the new Sony VENICE CineAlta 6K Digital Cinema Camera and evolved into a much bigger project. The film, presented by Golpe Filmes and released this summer, was directed/edited by Ricardo Teixeira. It is a fictional story based on t...

Submitted by Antonio Morais

Published 18 July 2018

AoIP Solutions at Sky TV

Sky UK has recently moved the whole of its Sky News operation into new, state-of-the-art facilities in the Sky Studios building on the Sky TV campus in Osterley, West London. Described as being both the most sustainable broadcast facility of its kind in Europe as well as the most technologically advanced, the Sky Studios project is set to completel...

Submitted by Tom Pidsey

Published 18 July 2018

Moving to an IP Platform Considerations

Audio transport methods have remained virtually unchanged in the broadcast industry for more than half a century. Common approaches to routing audio around large broadcast facilities have closely followed methodology employed in telco central offices, with the use of X-Y crossbar or crosspoint switching. This began to change with the arrival of sol...

Submitted by Stephen Brownsill

Published 07 June 2018

Listening to the needs of audio engineers

Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio. Assuming a SMPTE 352 payload packet is present on the SDI signal, this metadata determines how the video co...

Submitted by Alan Wheable

Published 07 June 2018

UHD 4k and HDR Picture Quality

And as good as it is, and as easy as it is to do, one of the raps on HDR is that some feel that it’s so bright and sharp that it looks odd, unnatural, almost harsh. It’s similar to when we did our first trials with 4K. The resolution was so high you could easily see, for example, even very minor blemishes. It’s perhaps an irony of new technology th...

Submitted by Tobias Kronenwett

Published 07 June 2018

Technological advances in the broadcast industry

Since it is Omnitek’s 20th anniversary this year, I thought it would be interesting to look back over the technological advances in the broadcast industry over the last few decades and look at the similarities between then and now. When I started work in the Broadcast television industry in 1975, video was analogue (with only 3 of 4 formats to worr...

Submitted by Alan Wheable

Published 26 March 2018

Interview with Peter Rowsell, Polar Graphics

If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years. Entering his 43rd NAB (yes 43rd, that is NOT a typo!) who better to catch up with t...

Submitted by Polar

Published 26 March 2018

Empowering connectivity choice in the field

Reliability, flexibility and ease of use are the key requirements when covering the news and live events, especially when the location could be anywhere. Connectivity is one of the biggest concerns in the field when the pressure is on to capture a key event – if you cannot establish a reliable transmission path to send your video back to the broadc...

Submitted by Yvonne Monterroso

Published 12 February 2018

Somewhere down the latency river

Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality. But they’re not...

Submitted by Ben Hawker

Published 12 February 2018

Capturing the spirit of Mexico

Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce ge...

Submitted by Leonardo Dalessandri

Published 12 February 2018

Steadicam M-1 Volt: Tried and Tested

Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s...

Submitted by John E Fry

Published 12 February 2018