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Distribution in the UHD Era


by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe
Published 01 August 2015

The holistic approach to fighting piracy


by Rory OConnor Issue 102 - June 2015 Now more than ever, consumers are driving the way that their content is delivered and consumed across platforms. Content owners increasingly need to be able to respond and adapt in an agile manner to deliver quality content across every consumer device from the day they hit the market. To stay relevant, operato...

Submitted by Rory O Connor
Published 01 July 2015

From VoD to Linear TV


by Nikos Kyriopopoulos Issue 100 - April 2015 Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors:- The cost associated with linear TV production, a b...

Submitted by Nikos Kyriopoulos
Published 01 May 2015

Ask the experts: Streaming


by Motty Lentzitzky Issue 99 - March 2015 In today\'s multiscreen world, pay-TV operators are managing their customers\' video streaming experience on an ever-increasing number of devices, including TVs, PCs, smartphones, and tablets. To compound this issue, viewer expectations have changed dramatically in recent years. During this Q&A session, Mot...

Submitted by Motty Lentzitzky
Published 01 April 2015

Software defined workflows


by Steve Reynolds Issue 91 - July 2014 The rising popularity of over-the-top video offerings and TV Everywhere services continues to transform the media and entertainment business. Whether through pure-play OTT services from dedicated providers, catch-up TV offerings from broadcasters or authenticated TV Everywhere services from pay-TV operators, t...

Submitted by Steve Reynolds
Published 01 August 2014

Getting more from your MAM


by Colin Blake Issue 91 - July 2014 The value of a media asset management (MAM) system cannot be understated. The MAM system serves as the window into your archive, and a properly implemented MAM system can mean the difference between finding and repurposing assets or letting them sit idle and unmonetized. There are several choices for MAMs availab...

Submitted by Colin Blake
Published 01 August 2014

Transforming Content and Caputure Distribution


by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise
Published 01 July 2014

Ask the experts: What is MAM?


by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola
Published 01 February 2014

Leaping over the top


by Bob LambIssue 84 - December 2013 Around the world, consumers are becoming addicted to viewing over-the-top (OTT) video on the device or screen of their choice, anywhere and at any time. For broadcasters, content owners, and service providers, the ability to deliver broadcast-quality media over the open Internet presents a tremendous opportunity...

Submitted by Bob Lamb
Published 01 January 2014

Ensuring online video revenue in the face of piracy


by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten
Published 01 September 2013

Building a live linear streaming channel to reach multipl...


The market for live and on-demand streaming video has exploded in recent years thanks in part to broadband connections and the proliferation of connected devices. A recent survey by The Diffusion Group showed that some 50 percent of online video viewers watch some form of streaming live video at least once a month, and 64 percent said comprehensive...

Submitted by Jennifer Baisch
Published 01 May 2013

No more softly softly on the cloud


According to Wikipedia The Cloud is a metaphor for the Internet in cloud computing, and cloud computing itself means using multiple server computers via a digital network, as though they were one computer. Both refer to things that have been going on for years. I can remember seeing graphic cloud symbols on computer system diagrams many years ago....

Submitted by Bob Pank#
Published 01 May 2012

The Anatomy of a Good QC Solution


As the media transitions from tape-based analog to file-based digital content, the existing workflows and operational methods of media companies will need to be updated. File-based workflows are being widely adopted as mainstream solution by Broadcasters, Post-production houses, IPTV, satellite and archiving companies. A file-based content can be s...

Submitted by Bob Pank#
Published 01 December 2011