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Either meet your listeners halfway, or get them to come t...


In TV Bay’s IPTV & Online issue, I spoke about how streaming video online enabled content owners to share their work with the world a lot more effectively, so although the end result is the same, what technical procedures are different for streaming pure audio content?The pace of technical advancements have now established distinct requirements for...

Submitted by Kieron Seth#
Published 01 June 2011

Challenging times


I am writing this on 18 March, but only 77 days in 2011 is proving to be a momentous year for global events. We started out with catastrophic floods in Australia, then the earthquake in Christchurch. I once spent a wonderfully happy day in Christchurch, and it was, at least until 22 February, without doubt the loveliest small city I have ever visit...

Submitted by Bob Pank#
Published 01 May 2011

A day in the life of a Royals videographer


Times have changed; no more phone calls, telexes or faxes, - remember them? Now it’s E-mails; what would we do without them?A quiet day in the office-come-edit-suite, the FCP rendering yet another set of archive clips, and the other Mac illuminated with Thunderbird, when ‘ping’ (the Mac version of “You got mail”) wakes one up from the hypnotic tran...

Submitted by Bob Pank#
Published 01 May 2011

What are the most important opportunities and challenges...


What are the most important opportunities and challenges facing the TV industry today?To answer this question we need to look more broadly at consumer behaviour and the changing way people are consuming content. Viewers no longer solely want a passive experience with a TV programme in their front room. They want to watch catch-up TV on a laptop, do...

Submitted by Bob Pank#
Published 01 May 2011

BVE 2011 retrospect


BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#
Published 01 April 2011

Mobile Cameraman Extraordinaire


I had wanted to work in television since my teens and, at 20, started as a trainee assistant cameraman at Mersey Television on 'Brookside' in Liverpool and then joining Thorn-EMI Facilities in London. Thorn-EMI put me in charge of a studio used to shoot links for companies like Children's Channel using very bulky early tubed Betacams. Five years la...

Submitted by Bob Pank#
Published 01 April 2011

The #BVEXPO Great Experiment


NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#
Published 01 April 2011

3D in 2011


Another year and it’s time for a fresh look at the S3D market. Each year the CES Show that occupies the Las Vegas Convention Center with, in 2011, an unexpectedly high number of attendees (140,000) keen to see what’s new. At CES 2010 S3D was THE thing, but a year later the excitement had moved on to the nebulous market of mobile devices OTT and, pr...

Submitted by Bob Pank#
Published 01 March 2011

BBC Academy


Today’s broadcast industry depends on a mobile workforce of skilled professionals. And in the YouTube age where anyone can upload a film, what distinguishes the professional from the amateur? In short - great training!A recent survey of industry freelancers reveals that more than half rank training as one of the most important factors in developing...

Submitted by Bob Pank#
Published 01 March 2011

Using Multipoint Monitoring to Ensure Reliable Digital Vi...


Because the quality and bandwidth-efficiency advantages of digital over analog methods have made digital transport preferred, the world continues its migration to an all-digital approach to delivering video signals – from the studio through distribution networks to the end-viewer. As with any new technology, adopting and integrating digital video d...

Submitted by Bob Pank#
Published 01 March 2011

Evaluating Video Monitors


Video monitors have always been a critical component in any broadcasting operation — but they have evolved significantly as the industry-wide migration from analog broadcast to digital SD and HD has placed new demands on the monitoring function. Current products include feature sets that mirror the complexity of today’s monitoring operations, with...

Submitted by Bob Pank#
Published 01 March 2011

Television, the limits of the possible


When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#
Published 01 February 2011

Broadcast Batteries, Today and Tomorrow


As consumers, we all have experience of being let down by batteries (think rusty Italian cars in the 1970s!). But thankfully the world of batteries has moved on: the global battery industry is today worth $71 billion and is estimated to be growing at nearly 5% a year. Of this, broadcast batteries make up a tiny fraction but the manufacturers that s...

Submitted by Bob Pank#
Published 01 February 2011

Ravensbourne 21st Century Broadcast Education


Just over eighteen months ago, Adrian Scott of the Bakewell House Consultancy was commissioned to guide Ravensbourne through the EU Tendering process to appoint a Systems Integrator to transform the broadcast facilities of Ravensbourne as it moved into its new multi-million pound home at Greenwich Peninsula. Winning the contract, TSL rose to the ch...

Submitted by Bob Pank#
Published 01 December 2010

Redefining Mobile, High Definition Recording With Cinedec...


IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#
Published 01 November 2010