KitPlus | Articles

Rotolight ANOVA lights

Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

Africans in London TV

by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail

Published 01 December 2014

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Manipulate and Edit

Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#

Published 01 November 2014

How To Record The Perfect Voice Over

by Beth Zarkhosh Issue 94 - October 2014 Ever wonder how much time and effort goes into creating the perfect voice over and how to record them yourself? As most of us hear the voices on the screen we rarely think about the person who has recorded it or the professional level of technique used to create it. Where can you record? So firstly let\'s ex...

Submitted by Beth Zarkhosh

Published 01 November 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Satellite adapts again to find new roles

by Simen Frostad Issue 93 - September 2014 After a period in which it appeared to be falling behind the innovation curve, Satellite is fighting back. Recent developments are giving satellite a key role to play in combination with other technologies notably IP in a range of hybrids that broadcasters and infrastructure operators are exploring in the...

Submitted by Simen Frostad

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

What Directors do and dont do

by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

Proprietary vs. off the shelf hardware for OTT video deli...

by Nivedita Nouval Issue 90 - June 2014 What are the main equipment at stake in an OTT video delivery system?An OTT video delivery system consists of an array of video servers that are able to store and stream content according to different formats defined by standards (e.g., HLS, HSS, HDS, and MPEG-DASH). Traditionally, there is an origin server,...

Submitted by Nivedita Nouval

Published 01 July 2014

Object of desire

by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#

Published 01 June 2014

Mildred: The next generation of OB vans

by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs

Published 01 April 2014

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014

The ethos behind TallyHo wireless rally system

by Andy Slightam Issue 86 - February 2014 Having spent the last 30 years working in broadcast television and live event production in a variety of technical roles it has become plainly obvious over the last few years that we have lost some of the benefits working with the traditional PPUs with OCPs and CCUs. There are so many small HD and SDI visio...

Submitted by Andy Slightam

Published 01 March 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014