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Back to Basics with IP Video Production

Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson

Published 19 October 2017

Audience engagement with advertising in an OTT world

i Adapting to how we advertise in an OTT world starts by reaching audiences on every screen with tailored content. Most consumers viewing habits include multi-tasking and juggling different activities at the same time, particularly the younger viewing audiences who tend to watch in a more fragmented, on-demand manner. The task of monetizing content...

Submitted by Hank Frecon

Published 07 September 2017

IP Based Remote Production

i Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris. Before I get into the detail of remote produc...

Submitted by Ed Calverley

Published 07 September 2017

Getting started with IMF

i Why is the Interoperable Master Format still exciting? Content is still King, but only if you can get it out to the consumer. I have just had the privilege of doing a live episode of Bruce\'s Shorts at the EBU IMF Workshop in Geneva. It was a privilege because I was able to talk about real world issues in making IMF compositions rather than talki...

Submitted by Bruce Devlin - new

Published 07 September 2017

Live sports and event production

i There is an overwhelming amount of content being recorded by sports broadcasters and digital services teams. A broadcaster might capture hundreds of hours of content over the course of, say, a golf tournament, yet only a fraction of that content makes it to air. But what about the rest of it, such as interviews, scenic shots, promos, and behind-t...

Submitted by Brian Eldredge

Published 07 September 2017

Integrated and automating marketing campaign production

i ITV, as an integrated producer broadcaster, creates, owns and distributes high-quality content on multiple platforms. It operates the largest commercial family of channels in the UK and delivers its content through traditional television broadcasting as well as on demand via the ITV Hub. ITV has the largest share of the UK television advertising...

Submitted by James Gilbert

Published 07 September 2017

Infrastructure boost with single node storage solutions

i Like other market segments, the motion picture and video production industry is dominated by smaller productions and facilities. Until now, the only option for this portion of the market to take advantage of the performance, fault-tolerance and ease of management of a modern scale-out storage platform was to invest in a storage cluster consisting...

Submitted by Lee Griffin

Published 07 September 2017

Object Based Audio - The first steps

i The world of broadcast audio is about to reach new levels as we embrace the future in terms of Next Generation Audio (NGA). Although at this stage we can\'t be precise about what this will bring, we do know that some 3D Immersive formats are already under development and will find their way into broadcast production and distribution very soon. Un...

Submitted by Peter Poers

Published 01 August 2017

Thinking clearly about the cloud

As someone who is constantly trying to build better products, I\'m always asking questions and listening to the ones I get asked. For several years now I\'ve asked every broadcaster and media production company I\'ve met what they plan to do about \'the cloud\'. I\'ve had replies which range from \'the media must never leave the premises\' (imagine...

Submitted by Chris Steel 2

Published 19 May 2017

What are the challenges of AoIP

At the setup of a recent Outside Broadcast (OB), I was privy to an attempt to pass a signal across two independent Audio over IP (AoIP) enabled trucks. In an SDI world, this bridge would have been as simple as coupling two BNC cables together, but here the engineers quipped about the additional and sometimes challenging processes of connecting one...

Submitted by Craig Newbury

Published 15 March 2017

Mr MXF thinks the future is made of components

The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin

Published 15 February 2017

Small post houses delivering a big service

In today\'s fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content. This no...

Submitted by Jack Wenzinger

Published 15 February 2017

Challenges for MAM with varying production types

Many media asset management platforms are designed to handle the immense number of assets needed for today\'s fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ab...

Submitted by Jonathan Aroesty

Published 15 February 2017

Mr MXF thinks the future is bright

I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin

Published 13 January 2017

The world is not flat

The world is all around us. We have a lot of cues that make us aware of how we fit into a 3D space. Many of these cues, senses and reactions are survival instincts. For example, the ability to hear someone walk up behind us, to see movement in our peripheral vision, a sense of how we are oriented when we move our bodies or swivel our head. All of t...

Submitted by David Schleifer

Published 13 January 2017