KitPlus | Articles

The 7 Steps to Saving Film

i We live in a world where - thanks to everything from smartphones to cheaper professional gear - more and more footage is being shot today than ever before. It\'s a little known fact, however, that as more movies are made, archived physical film works all over the world are in danger of being lost to the damage of time. The Library of Congress alo...

Submitted by KitPlus

Published 07 September 2017

The challenges of media workflow automation

i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark

Published 07 September 2017

Remote Production - Speed, Control, Infrastructure

i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new

Published 01 August 2017

Audio at 750mph

i London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart\'s Soho HQ which will bring even more, newly immersive, audio online. Following its expansion, 750mph now occupies around 10,000 square feet of studio space and is equipped with nine Fairlight\'s EVO modular console consoles...

Submitted by Sam Ashwell

Published 01 August 2017

Designing the correct workflow

Last year I took a year-long placement as a video editing support technician. The role exposed me to the common issues that students run into when editing their projects, and I developed an understanding as to why they might struggle understanding the complexities of video workflow. As a student myself I can understand why workflow can be a difficu...

Submitted by Harry Smith

Published 19 May 2017

Thinking clearly about the cloud

As someone who is constantly trying to build better products, I\'m always asking questions and listening to the ones I get asked. For several years now I\'ve asked every broadcaster and media production company I\'ve met what they plan to do about \'the cloud\'. I\'ve had replies which range from \'the media must never leave the premises\' (imagine...

Submitted by Chris Steel 2

Published 19 May 2017

Motor Sports - Some Like it Hot

High performance race cars, their drivers, and teams supported by manufacturers participating in a sport for which the combined, visceral thrills and sensations of burning tires, megadecibel roars, pungent racing fuel and throngs of enthusiasts can be difficult to convey, even on the largest big screen television. Motor racing is an intense, danger...

Submitted by Gordon Capaccio

Published 19 May 2017

OBs are still outside and so are broadcasts

With the advent of new and emerging technologies, and with the one getting the most oxygen at the moment being video over IP, a number of people are asking whether the ability to move control rather further way from an event has, or will, change the nature of OB production. Well, yes...and no. OB requirements always depend on what type of broadcast...

Submitted by Mike Ransome - new

Published 04 April 2017

Swimrun World Championships - LiveU report

Through the open waters and across the islands of the Swedish wilderness, battling the elements in the OTILLO Swimrun World Championship isn\'t for the faint-hearted. The total distance is 75 kilometres, of which 10 km are open-water swimming and 65 km are trail-running, presenting a huge physical - and doubtless mental - challenge. Taking place in...

Submitted by Kim Svensson - new

Published 04 April 2017

New workflows floating on the horizon

The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new

Published 04 April 2017

Driving the Bandwidth Conundrum

At the time of writing, there is a story on the IBC website with the headline "In five years the problem won\'t be bandwidth, but knowing what to do with it". That seemed to me to be an interesting assertion, so I read on. Now I appreciate there are few who are as old as I am, but if you are you may remember the claim, in the early days of nuclear...

Submitted by Dick Hobbs - new

Published 04 April 2017

The Benefits of LED Lighting in Broadcast

The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

Mr MXF thinks the future is made of components

The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin

Published 15 February 2017

Mr MXF thinks the future is bright

I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin

Published 13 January 2017

Health and Safety gone mad

The first true broadcast television service started 80 years ago, on 2 November, 1936. Its home, famously, was Alexandra Palace, a vast and really rather run-down building on top of Muswell Hill in north London. Originally opened in 1873, and re-opened in 1875 after a catastrophic fire, it was built primarily as an entertainment venue. Indeed, it w...

Submitted by Dick Hobbs.

Published 13 January 2017