KitPlus | Articles

Run Leaner, More Agile and Scalable OTT Operations

The migration to Software-as-a-Service (SaaS) for media processing is underway and growing as broadcasters and content service providers explore new ways to increase agility and operational efficiencies. With media processing SaaS, content and service providers can quickly and easily deploy new channels, deliver a better quality of experience (QoE)...

Submitted by Olivier Karra

Published 18 July 2018

Will we soon be paying our respects to PayTV

Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?Looking at UK pay TV revenues,...

Submitted by Malcolm Harland

Published 18 July 2018

Security, Identity and Privacy

Put your hand up if you have more than one online-identity. Keep your hand up if the adverts for your latest online purchase follow you between identities as you surf the web. You can now let your hand fall into your lap because adverts that follow you indicate algorithms that have merged your multiple identities into the one and only you. Why does...

Submitted by Bruce Devlin - new

Published 07 June 2018

Why is ST2110 important

Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake

Published 07 June 2018

Slow Motion Video Techniques

Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil

Published 07 June 2018

Broadcasting Indoor Sky Diving

When you say you’re broadcasting skydiving, there are two types of reactions. One is the creative, who’ll say something along the lines of “Wow. Those shots must look great” and other is the engineer who’ll say “That must be a real hassle to get all the infrastructure in and secure.”When you say you work on indoor skydiving, both people will think...

Submitted by Daniel Harker Barnes

Published 07 June 2018

Tips and Tricks to Giving Sci-Fi a New Look

From Terminator to Blade Runner, Alien, and even E.T., science fiction is a genre that will never fail to capture an audience’s imagination. It’s also a genre that encompasses so much more than just space crafts or time travel: frequently providing filmmakers with a platform from which to not only highlight social and political issues, but also exp...

Submitted by Mathieu Marano

Published 07 June 2018

Moving to an IP Platform Considerations

Audio transport methods have remained virtually unchanged in the broadcast industry for more than half a century. Common approaches to routing audio around large broadcast facilities have closely followed methodology employed in telco central offices, with the use of X-Y crossbar or crosspoint switching. This began to change with the arrival of sol...

Submitted by Stephen Brownsill

Published 07 June 2018

Interview with Peter Rowsell, Polar Graphics

If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years. Entering his 43rd NAB (yes 43rd, that is NOT a typo!) who better to catch up with t...

Submitted by Polar

Published 26 March 2018

NAB is all about people

The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge. At Media Links we have been supplying our leading-edge technology for the world’s most watched global sports events for many years. Our te...

Submitted by John Smith -new

Published 26 March 2018

Somewhere down the latency river

Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality. But they’re not...

Submitted by Ben Hawker

Published 12 February 2018

Capturing the spirit of Mexico

Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce ge...

Submitted by Leonardo Dalessandri

Published 12 February 2018

Panasonic GH5: Tried and Tested

My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder

Published 12 February 2018

2018: A Changing of the Guard

The guys at KitPlus asked me if I could write about what I think is going to happen in 2018 – a feel, or mood, piece of what we might see this year. I’m not sure why they asked me but perhaps it’s because I’ve been around the industry a long time. Anyway, to look forward I think sometimes it’s best to look back as history has a habit of repeating i...

Submitted by Peter Savage 2

Published 12 February 2018

AoIP in the intercom world

Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow

Published 17 January 2018