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How the Womens World Cup was Boosted by Broadcast


As we write this article, England’s Lionesses have just beaten Norway 3-0 and are smashing viewing figure records, with 6.9 million viewers tuning in to watch them play Cameroon on BBC One. Rewind to the previous World Cup in 2015, and England’s group and early stage knockout games tempted up to 2.5 million viewers for each match. It’s safe to say...

Submitted by John Griffiths
Published 16 July 2019

Review: JVC GY-HC900 Camera


JVC has a long history of developing relatively low price-point equipment, dating right back to its success in the 1970s with the VHS tape format. JVC products sometimes impact the broadcast mainstream but generally find greatest success in niche market segments such as news production where price and portability take priority over the no-comprise...

Submitted by Andy McKenzie
Published 16 July 2019

The Evolution of Audio Monitoring


Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest l...

Submitted by Stephen Brownsill
Published 16 July 2019

How Providers Can Win Man of the Match With Live Sports O...


Times are tough for traditional broadcasters and live TV; the rise of on-demand TV and paid subscription services isn’t a secret and a large amount of the population are turning to these alternatives rather than their established counterparts. When it comes to sports, however, it’s a different playing field. No one can dispute the buzz of the build...

Submitted by Chris Wood
Published 16 July 2019

Making a Difference in Wireless Transmission


We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum. There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our produ...

Submitted by Lukasz Malankowski
Published 16 July 2019

Lighting with Gurdip Mahal


Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir
Published 04 June 2019

Rotolight Anova Pro 2 User Review


The Anova PRO 2 is the fourth generation of Rotolight’s studio/location light, offering 70% more power output than its predecessor. It is claimed be one of the brightest LED lights ever launched in its class, delivering 10,700 lux at 3 feet yet consuming only 72 watts. Figure 1 shows the front with accessory mounting spigots (1), optional barn door...

Submitted by Andy McKenzie
Published 21 March 2019

Sony PWS-4500 Live Production Server Reviewed


Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie
Published 24 January 2019

New developments in remote broadcast cameras


Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley
Published 24 January 2019

State of the Nation - November 2018


There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new
Published 09 November 2018

Using Wireless Transmission


Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam...

Submitted by Jeremy Benning
Published 09 November 2018

AI in Media and Entertainment


Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?In virtually every industry, AI is claiming a growing stake in the supply chain, creating both operational enhancements and business efficie...

Submitted by David Candler
Published 09 November 2018

Why are trade shows still important


First, the disclaimer: as the CEO of a rather large trade show, my opinion is likely to be skewed. However, I wouldn’t be here – now in my eighth year at IBC - if I didn’t truly believe that well-curated trade shows like IBC are a hugely important resource for our industry. Firstly, successful workflows are complex. We are not working in a world wh...

Submitted by Mike Crimp
Published 08 September 2018

The Pace of Change


The youngest human to stand on the moon (so far) was Charles Moss, the lunar module pilot of Apollo 16. Charlie had a wonderful claim: his father witnessed the Wright Brothers’ first flight at Kitty Hawk, and lived to see his son on the moon. Does anything capture the speed of technological advance better than that? The whole of the history of powe...

Submitted by Dick Hobbs - new
Published 08 September 2018

Live audio contribution over wireless networks


Wireless “live” contribution from anywhere at any time, this is the ultimate goal for most news reporters. The old favorite of using ISDN is becoming harder and much more expensive to access easily. Today most of us use wireless daily, in particular Wifi and HSPA/LTE 4G networks. These are now mature technologies and widely used for many applicatio...

Submitted by Pablo Rodrigues Altmann
Published 08 September 2018