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Live event streaming solutions


i It\'s summer! Just those two words alone are exciting. Combine them with words such as "music festival\" or "sports\" or "travel\" and you have yourself a summer to remember. To ensure you have the hottest summer yet, consider live streaming your event ¦ wherever it is. Let fans face the music - live! In the UK, we strongly associate summer with...

Submitted by Lorna Garrett
Published 07 September 2017

The challenges of media workflow automation


i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark
Published 07 September 2017

Controlling the Chaos of Remote Uplinks


For Satellite Broadcasters, consumer needs have never been so varied. Audiences are increasingly accustomed to personalisation in every type of content they consume. They now demand, or rather expect to receive breaking news from a scene, content specific to their regions and access to live sporting events held thousands of miles away. As a result,...

Submitted by Roger Franklin
Published 19 May 2017

Radio cameras bring a live broadcast to life


Radio cameras bring a live broadcast to life - especially news, sports and studio shows - by their ability to roam around and move in closer to a subject. They capture a more natural spectator\'s view than a camera that is fixed at one point, and usually get the most intimate shots and the most exciting angles in a production. Today they are indisp...

Submitted by Tony Valentino
Published 13 January 2017

Space lights and a man called Bill


The Space Light has become one of those universally used fixtures which inhabit many film sound stages, as well as finding employment within studio-based broadcast productions. Its history, not completely lost in the sands of time, is very much part of the evolution of the British film industry, whilst its use extends now to Hollywood and beyond. F...

Submitted by Ian Muir
Published 07 December 2016

Interrontrons - a prompting gimmick or a real production...


The first question for many is what is an Interrotron? Essentially it is the use of a traditional prompter but instead of the words in the script the presenter sees the interviewer\'s or director\'s face. This technique was pioneered by American film director Errol Morris in his film The Fog of War which won an Academy Award for Best Documentary Fe...

Submitted by Jon Hilton#
Published 24 August 2016

Up in the air with Dick


In the last issue of this magazine was a very interesting article by Lee Sheppard of SGL, talking about the pros and cons of archiving in the cloud. While there is a lot of conversation about cloud storage, its pluses and minuses, I have to confess to still being slightly confused about the practicalities and economics of it. So armed only with Goo...

Submitted by Dick Hobbs.
Published 22 July 2016

The Pros and Cons of Archiving in the Cloud


Archiving content in the cloud provides a number of key benefits. However, many media companies and content owners are still hesitant to store their assets that way due to content security implications and cost concerns. So what are the pros and cons of storing content in the cloud?There are a number of key drivers including: access to content from...

Submitted by Lee Sheppard
Published 14 June 2016

Meeting the Challenges of Media Assett Management


It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king,\" and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and usi...

Submitted by Dave Clack
Published 14 June 2016

The Challenges of Streaming


The purpose of this article to highlight the challenges facing small and medium streaming services. It is intended to look at how to achieve successful live and pre recorded content by means of streaming. In this article I would like to share the knowledge and the experience I have gained so far. I will also talk about the kit I use, how it is used...

Submitted by Joseph Ail
Published 14 June 2016

Preserving the Past is a Forlorn Task


by Larry Jordan Issue 109 - January 2016 This week I presented a webinar on how to protect your stuff using archiving. Why? Because hard disks are great for immediate storage, but inadequate for files that you want to keep for a long time. To help you understand my point of view, backup is something you do on a daily and/or weekly basis so you have...

Submitted by Larry Jordan#
Published 21 January 2016

Media acquisition and Archive Workflow


by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins
Published 21 January 2016

McDonalds goes live multi-camera


Issue 105 - September 2015 Earlier in 2015 SIS LIVE was central to the London section of an ambitious 24-hour global entertainment campaign by McDonalds, involving a surprise open-top bus gig by Jessie J. Fans worldwide shared the excitement of the 24 continuous gifts of joy in synchronised public events, across 24 cities around the world over a 24...

Submitted by KitPlus
Published 01 October 2015

Picking the right prompter


by Jon Hilton Issue 104 - August 2015 There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration. 1. The Talent comes first...

Submitted by Jon Hilton#
Published 01 September 2015

Dynamic display revolution!


Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus
Published 01 September 2015