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#TVFUTURES


by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome
Published 01 January 2015

4k Streaming: a Key OTT Differentiator


by Keith Wymbs Issue 96 - December 2014 OTT streaming providers are amongst the first to offer 4K UHD TV services. In fact, 4K UHD may be seen as a key differentiator for OTT services such as Netflix and M-GO as they compete with pay TV operators according to a recent report from ABI Research. Netflix has launched 4K video streaming of shows such a...

Submitted by Keith Wymbs
Published 01 January 2015

4k - The biggest New Years resolution


by John Ive Issue 96 - December 2014 Whether it is Ultra High Definition (UHD), 4K or 8K - the predictions surrounding when and if this higher resolution format will become a widespread reality are still rife in the broadcast and media industry. The consensus in the sector seems to be that we may be edging marginally closer. However, many of the ba...

Submitted by John Ive
Published 01 January 2015

Everything you ever needed to know about Wireless Links


by Michael Coyler Issue 96 - December 2014 Wireless links - be it catapulting footage from the cockpit of a Formula One Car as it reaches 180MPH into a knifepoint turn, or feeding a screen in the serene landscape of Scotland\'s world-renowned links for this year\'s Ryder Cup - Radio Frequency (RF) links have taken a major foothold in recent years i...

Submitted by Michael Coyler
Published 01 January 2015

Making It Easy To Be In Two Places At Once


In these economically straitened times, all broadcast facilities are seeking ways to reduce cost without compromising quality. Equally, those equipment manufacturers that want to stay ahead of the game are responding by looking at how customers work and then seeing if there is a way to deliver the same results more simply and cost effectively. One...

Submitted by Bob Pank#
Published 01 January 2015

Essentials for Viable Audio over IP Distribution


by Werner Drews Issue 95 - November 2014 Using IP for audio distribution is an enticing prospect for most broadcasters. It offers the prospect of OPEX economies and opens up a lot of new flexibility for infrastructure design: backup and regionalisation solutions are among the many possibilities. IP lines can be used for STL (Studio to Transmitter L...

Submitted by Werner Drews
Published 01 December 2014

Data visualisation: discovering and inventing new oppurtu...


by Simen Frostad Issue 95 - November 2014 People who like to find names for these things have dubbed this \'the information age\' - the age in which the most significant and transformative feature of human existence is the widespread and instant access to information. The term also carries the implication that it is the use of information as an eng...

Submitted by Simen Frostad
Published 01 December 2014

Miniature cameras on the move


by Kieron Seth Issue 95 - November 2014 Using cameras in-car has always been problematic. Most importantly, the size of camera is crucial: sit a camera operator in the vehicle with a camcorder and the natural sense of intimacy is lost. Mount the camcorder within the cockpit and it is sure to obscure the driver\'s view of the road. The alternative i...

Submitted by Kieron Seth#
Published 01 December 2014

Africans in London TV


by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail
Published 01 December 2014

Capture and Produce


Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#
Published 01 November 2014

Manipulate and Edit


Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#
Published 01 November 2014

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Move and Deliver


Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#
Published 01 November 2014

Sony PXW-FS7


by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman
Published 01 November 2014

How To Record The Perfect Voice Over


by Beth Zarkhosh Issue 94 - October 2014 Ever wonder how much time and effort goes into creating the perfect voice over and how to record them yourself? As most of us hear the voices on the screen we rarely think about the person who has recorded it or the professional level of technique used to create it. Where can you record? So firstly let\'s ex...

Submitted by Beth Zarkhosh
Published 01 November 2014