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Ask the experts - Transitioning to IP


1) What has been the broadcast industry's feeling about the move to an all IP workflow?Transitioning from conventional signal transport to an all-IP environment in broadcast or content production operations seems to be a matter of "when\" rather than "if,\" as it brings a great number of advantages with it. IP is touted as offering numerous benefit...

Submitted by Craig Newbury
Published 22 July 2016

Top 10 Tips for Saving Time in Post


Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value. But you can make big savings simply by being organised. Time really is money in the ed...

Submitted by Max McGonigal
Published 14 June 2016

Bringing Realiability to the Unpredictability of Reality...


Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett
Published 14 June 2016

Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

Automated Quality Control


by Thomas Dove Issue 109 - January 2016 Automated quality control for file-based media has been available to broadcasters for over a decade. The Vidcheck team designed and produced the very first product in this area. We have been working on this type of software since 2003 and are probably the most experienced team anywhere in the world. Many exis...

Submitted by Thomas Dove
Published 21 January 2016

AERO.soft - Bringing audio monitoring and processing into...


by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster
Published 01 December 2015

The business case for media asset management


by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher
Published 01 August 2015

Keep memories safe at RWF


by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett
Published 01 August 2015

#TVFUTURES


by Simon Bull Issue 99 - March 2015 Sport\'s television is a multi-billion dollar industry that draws millions upon millions of viewers to a gigantic range of sports programming. Many of the most watched television events have been sports broadcasts, the Olympics, the World Cup, and the Super Bowl to name a few. It\'s an ever-growing universal indu...

Submitted by Simon Bull
Published 01 April 2015

Cloud Editing at BVE


Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus
Published 01 April 2015

Hands-on with the Antelope PICO ultra slow motion minicam


by Mel Noonan Issue 98 - February 2015 Super slow motion, or super motion, has been around for years and is mostly 3x recording speed. If you record say 3 seconds of action and play it back at normal European production frame rate you\'ll have 9 seconds of slow motion replay. These cameras must integrate with the live production workflow in use. SS...

Submitted by Mel Noonan
Published 01 March 2015

Dialog-based search accelerates content discovery for any...


by Drew Lanham Issue 97 - January 2015 If you can\'t find it, then you can\'t reuse it. Those are a broadcaster\'s words to live by as media libraries grow at exponential rates. But the need to find and reuse media assets is not confined to large, traditional broadcasters. Organizations of all types and sizes are finding that the ability to uncover...

Submitted by Drew Lanham
Published 01 February 2015

Manipulate and Edit


Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#
Published 01 November 2014

Trouble- Shooting Your Mac Editing System


by Larry Jordan Issue 94 - October 2014 So, there you are. Ready to start editing, except your editing system doesn\'t start. Or crashes in the middle of an edit. Or, most insulting of all, just sits there waving the "Spinning Beach Ball of Death\" in your face. Sigh... While there are an unlimited number of gremlins and bad actors that could cause...

Submitted by Larry Jordan#
Published 01 November 2014

Manipulate and Edit


Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#
Published 01 October 2014