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Calzaghe Fight with Input Media

Sports production company Input Media faced a series of technical, logistical and creative challenges when they were commissioned by fast rising broadcaster Setanta Sports to cover one of the biggest live Boxing events ever staged in the UK. The main fight during the 8-hour long broadcast was the world unification fight between WBO/IBF Super Middle...

Submitted by Dennis Lennie

Published 01 July 2008

CTV OB Truck

Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

Selling your business Part 1 of 3

In this first of three articles on selling a business, Peter Savage explains why it is not easy to determine the true value of a businessThe industry buzzed this month with news that Simon Meikle at Mitcorp was selling out to fellow reseller CVP. Amounts, money valuations, multiples were all bandied around so I thought it a good time to run over so...

Submitted by Dennis Lennie

Published 01 July 2008

Royalty Free Music Can Save You A Fortune

How important is music to your production? Think of the two notes John Williams used in Jaws to signal danger and to sometimes mislead the audience into believing that a great white shark was lurking in the hidden depths. Music plays such a crucial and powerful role in the visual world to be overlooked at your peril. Notice how suddenly your edit c...

Submitted by Dennis Lennie

Published 01 June 2008

Lender of the last resort or good use of your assets

Recently several people have asked me why companies use factoring or invoice discounting as a way of dealing with debtors. “Are they in trouble?” and “Is it the last straw before throwing in the towel?” were the most common questions. So I thought I would talk you through these types of sales finance, dispelling a few myths by explaining when they...

Submitted by Dennis Lennie

Published 01 June 2008

Setting up in business: Le Christmas Crunch

Well, I just fancied having a break as we have been slogging away for almost six months – planning, starting, measuring and then employing. So, phew, it’s the Christmas break. Well haven’t we done well to get here? You certainly have. And now for a little topical help: the credit crunch that is currently the focus of so many media reports. What doe...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey questions

What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008

Chromakey tips and tricks.

Chromakey is one of those slightly magical effects that can still bring out the child in all of us. Also childlike are the frustrated tantrums you throw when you have been trying for hours to get a decent key, and realise you will have to pay some compositing wizard to rescue the shot. There are now 2 distinctly different ways to shoot chromakey fo...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008

A Cinematographers Companion, through hell and high water...

Miller Camera Support has never been more thoroughly tested than by Australian Cinematographer Wade Fairley, through Antarctic winters and summers, floods in Tuvalu, swamps in the Solomon Islands and the outback deserts of Australia. The most outstanding project of recent times for Wade was the trip for the BBC Natural History Unit, shooting footag...

Submitted by Dennis Lennie

Published 01 March 2008