KitPlus | Articles

An Introduction To Microphone Types, Uses, and Techniques

Almost everyone knows what a microphone is, but far fewer people know how they actually work and how to get the best out of the various types available. Pieter Schillebeeckx, Chief Designer at UK microphone manufacturer SoundField, fills in some basics. As technology has become easier to use, cheaper and more portable, it's become more popular. Ear...

Submitted by Kieron Seth#

Published 01 June 2011

Its a MADI World

At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#

Published 01 June 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

A decaying elephant...filmed

Assignment: To film 24/7 the six week decay of a dead five tonne adult elephant in the wild. Reason: to learn how the death creates six million calories of fat, meat and guts, feeding a whole new cycle of life. It was in early March 2010 when Tigress productions put in the call to TX for a meeting of minds, to discuss the idea of filming an elephan...

Submitted by Bob Pank#

Published 01 May 2011

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

3D Post at NAB, Wimbledon, and more

You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even thoug...

Submitted by Bob Pank#

Published 01 May 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

Mobile Cameraman Extraordinaire

I had wanted to work in television since my teens and, at 20, started as a trainee assistant cameraman at Mersey Television on 'Brookside' in Liverpool and then joining Thorn-EMI Facilities in London. Thorn-EMI put me in charge of a studio used to shoot links for companies like Children's Channel using very bulky early tubed Betacams. Five years la...

Submitted by Bob Pank#

Published 01 April 2011

The 4 Golden Rules of Streaming

In November 2009 a Florida-based web design company ran a series of tests on their website. Their bounce rate (the % of visitors to their site that hit their home page but go no further on a site) started at 45% - a barely acceptable rate. Over the course of a month, they added graphic after graphic to their site. The effect was catastrophic with a...

Submitted by Bob Pank#

Published 01 April 2011

Ask the experts - Monitoring

What are the latest innovations in monitoring?For both film and broadcast work, in addition to the fact that the picture must be true, without motion artifacts or aliasing, for a lot of applications you can also add that the picture must be processed in real time - less than one frame or one picture in progressive mode – so the main innovations are...

Submitted by Bob Pank#

Published 01 March 2011

NFTS, the future of digital visionaries

The Confession, a film from The National Film and Television School (NFTS), has recently been nominated for an Academy Award, in the Live Action Short Film category - the second nomination for an NFTS graduation film in this category in the last five years. The success of the film comes days after more than 40 NFTS graduates worked on nominated fil...

Submitted by Bob Pank#

Published 01 March 2011

Control and Monitoring with Snell

For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#

Published 01 March 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011

Bridging the divide between production and post productio...

In the last couple of years we have seen a considerable increase in the adoption of digital film cameras. This is not only fuelled by improvements in the technology and image quality but also by the adoption of 3D filmmaking, which significantly lends itself to the digital arena. Digital cameras have brought some wonderful benefits to the filming c...

Submitted by Bob Pank#

Published 01 February 2011

Synchronising the Shelf Stackers

The six-episode BBC Series “Shelf Stackers” brings audiences lots of laughs with its witty teenage commentary. Dom Bridges directed and helped edit the popular show as well as automating the synchronisation of audio clips for its dual-system sound productionBridges began his career as a graphic designer, which eventually led him to commercial desig...

Submitted by Bob Pank#

Published 01 February 2011