KitPlus | Articles

North West 200

As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#

Published 01 July 2011

Whats new in audio

The NAB show is not the first event that comes to mind for pro-audio kit but in fact rivals any audio-specific exhibition on the planet. The following is a summary of significant new sound equipment seen during a tour of this year's exhibits. AKG's C 544 L head-worn microphone is designed to be worn by gymnastics or (almost the same thing in some c...

Submitted by Bob Pank#

Published 01 June 2011

NAB and the format wars

By the time you read this article you may be sitting comfortably on the plane ready to take-off to Vegas. Every year the show comes at a strange time – just after the shooting season has started in the northern hemisphere. As a result, most of the camera companies at the show will have already sorted their purchasing needs for the year ahead, espec...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Why do broadcasters need to take an interest in connected...

Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#

Published 01 April 2011

Realising the full benefits of hybrid broadcast and broad...

We are all clear that there is a great deal of momentum in pay television at the moment. Alongside that driver, though, there are others which are dramatically changing the way consumers watch television. These include the desire to watch programmes at a time of their choice not that of the broadcaster (and in the room of their choice), and the use...

Submitted by Bob Pank#

Published 01 April 2011

Tape goes West at UWE

Three years ago a convoy of white vans arrived at the Faculty of Arts at the University of West of England in Bristol. An hour later its entire stock of SVHS camcorders, linear editing decks and analog tape were history. In came Adobe Premiere, Final Cut Pro and Panasonic digital camcorders. Now 20 professional tapeless HD camcorders have taken up...

Submitted by Bob Pank#

Published 01 March 2011

TV Bay Questions

Who are you? (about yourself and Online Creative)I am the owner of Brighton based post production facility, Online Creative Ltd. I started the company in 1999 primarily as an edit facility which has since developed further into a production company and training facility. We have recently invested in a fully equipped grading suite to add to the serv...

Submitted by Bob Pank#

Published 01 January 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

TV Bay Questions Editor and Technical Manager at Astley B...

Who are you? (about yourself and Astley Baker Davies)I am Taig McNab, editor and technical manager at Astley Baker Davies. We are a small, multi-award winning animation studio based in central London. What do you do? What does Astley Baker Davies do?We are most famous for our involvement with the Peppa Pig series. Our other shows include Ben & Holl...

Submitted by Bob Pank#

Published 01 December 2010

TV Bay Questions

Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#

Published 01 November 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Tape is dead. Long live Tape

An area that has been a vital part of television – defining much of ‘how’ and ‘what’ things are done – is recording. At first film was the medium, then in 1956, Ampex invented the video tape recorder with the prime aim of providing delayed programmes across the USA. Soon video tape editing, and other applications rapidly expanded and the 2-inch qua...

Submitted by Bob Pank#

Published 01 October 2010

Post Production Recipes

Multi-camera editing adds zest to any video production. It captures an event - a moment - from different angles, conveying a comprehensive and nuanced message. Often underrated, sound is a key ingredient in the mix. For the highest quality sound, separately recorded (dual-system) audio is the preferred technique. All leading non-linear editors (NLE...

Submitted by Bob Pank#

Published 01 September 2010

ALEXA bringing new creative freedom to filmmakers

ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#

Published 01 August 2010