KitPlus | Articles

Evolving the industry audio monitoring systems

With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird

Published 01 June 2013

Building a live linear streaming channel to reach multipl...

The market for live and on-demand streaming video has exploded in recent years thanks in part to broadband connections and the proliferation of connected devices. A recent survey by The Diffusion Group showed that some 50 percent of online video viewers watch some form of streaming live video at least once a month, and 64 percent said comprehensive...

Submitted by Jennifer Baisch

Published 01 May 2013

The key to the success of OTT services

By: Antonin Krl, nangu.TV CEOSmartphones and tablets have provided a major technological breakthrough in how we operate. Look around and you’re likely to see someone using their device to search for content, watch content or interact either directly or via social media applications. This is reflected in the Orange Exposure 2012/2013 annual independ...

Submitted by Antonin Kral

Published 01 May 2013

NAB is for soothsayers, trendsetters and people with road...

Unlucky for some…by Will StraussPrototypes, alpha products, demos and proofs of concept: NAB in Las Vegas is all about future innovation. Will Strauss picks 13 stands that you must visit this year. With the dust from BVE barely settled, it’s already time to look towards NAB. I know, I know. Don’t shout at me. I didn’t arrange the broadcast industry...

Submitted by Will Strauss#

Published 01 April 2013

Will Strauss gets a grip!

By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#

Published 01 March 2013

Bob Pank looks at Editing and the Cloud

By Bob PankHistorically video editing has been one of those operations shaped by technology. For decades it depended on VTRs to play and record. You had to go to an edit room, usually darkened and with loads of buttons and winking lights, to get your edit done by a video editor. It was not cheap. Then, with video stored on computer discs, editing w...

Submitted by Bob Pank#

Published 01 February 2013

The social geek

Today I want to consider this Venn diagram. It has been widely circulated on the internet: it appears to have been created by the Californian producer and publisher Scott Beale in 2009. It is a laudable attempt to differentiate between nerds, geeks, dweebs and dorks. You may feel that, given all the other pressures on our busy lives, time spent det...

Submitted by Bob Pank#

Published 01 November 2012

Wibbly Wobbly Waveforms

The very first analytical electronic instrument, developed in the late 1890s, was the oscilloscope. This used a cathode ray tube (CRT) to paint a graph of voltage on the Y axis versus time on the X axis. Once television became a practical reality in the 1930s, the same instrument was applied to the video output from the camera and became the very u...

Submitted by Bob Pank#

Published 01 November 2012

Pointing out the right colours

In the old days of PAL and NTSC analogue television, a vectorscope was an essential tool for examining chroma at every part for the programme production and transmission chain. This was because the colour information was carried as a phase and amplitude modulation which could be sensitive to a variety of transmission or recording non-linearities an...

Submitted by Bob Pank#

Published 01 October 2012

Addressing SAN Allocation and Permission Challenges

Facilities today face a number of management complexities when allocating storage resources, especially as frame-based and 3D workflows increase in popularity and the amount of multi-format media that professionals are managing continues to grow. Camera acquisition formats are various, many workflows employ proxy generation to save space and bandwi...

Submitted by Bob Pank#

Published 01 October 2012

So you think you know Flash?

So you think you know Flash?It is becoming widely accepted that HTML5 will eventually replace Flash as the platform for rich content and video on connected devices, but how can video publishers make the leap and avoid the pitfalls?David Springall, YospaceBack in the early nineties, when what few websites existed were almost completely static, a com...

Submitted by Bob Pank#

Published 01 July 2012

Big Fish, Little Fish, Camera-Top-Box

Big Fish, Little Fish, Camera-Top-BoxFor whole swathes of people within the television industry the concept of digital production - and what we generally refer to as ‘going tapeless’ – is probably now considered slightly old hat. Broadcasters, engineers, camera people and other early adopters of technology are so au fait with digital production the...

Submitted by Will Strauss#

Published 01 July 2012

This Is International Playout

There is no such thing as an off the shelf solution where broadcast managed services are concerned. Here Michael Ward, Head of Operations at WRN Broadcast, who provide playout channels for such as NHK, MTV, VH1 and East Africa’s Zuku platform, breaks down a few key requirements to meeting the exacting standards of international content delivery. Tr...

Submitted by Will Strauss#

Published 01 May 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012