KitPlus | Articles

The Lobster - achieving a textural grain

Issue 104 - August 2015 Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story. Featuring an impressiv...

Submitted by KitPlus

Published 01 September 2015

SDV - Shaping the Next Generation of Linear TV Service Of...

by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier

Published 01 August 2015

The business case for media asset management

by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher

Published 01 August 2015

The IP revolution in television is only the beginning

by Simen Frostad Issue 103 - July 2015 The fundamental change brought about by the delivery of video content via IP is perhaps the most significant development in the history of televised entertainment because it allows the viewer for the first time to shape the viewing experience. Time, in the sense of the linear delivery of channels, is dissolved...

Submitted by Simen Frostad

Published 01 August 2015

On-camera monitors for today and tomorrow

by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs

Published 01 July 2015

Why fast production storage is just not enough

by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett

Published 01 July 2015

A box of delights

by Dick Hobbs Issue 101 - May 2015 In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction. His original work was more complicated than this diagram, but fundamentally...

Submitted by Dick Hobbs.

Published 01 June 2015

Ten years is a long time...

by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome

Published 01 May 2015

From newspaper to broadcaster: VG (Norway) and LiveU

by Ronen Artman Issue 100 - April 2015 VG is a tabloid-format newspaper established in Oslo in 1945. Faced with the challenges that all newspapers face in the age of the video and the internet - fresh competition for readership and rapidly changing viewer expectations of what news is and how it\'s delivered - VG began using video online as early as...

Submitted by Ronen Artman

Published 01 May 2015

From VoD to Linear TV

by Nikos Kyriopopoulos Issue 100 - April 2015 Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors:- The cost associated with linear TV production, a b...

Submitted by Nikos Kyriopoulos

Published 01 May 2015

Ask the experts: Streaming

by Motty Lentzitzky Issue 99 - March 2015 In today\'s multiscreen world, pay-TV operators are managing their customers\' video streaming experience on an ever-increasing number of devices, including TVs, PCs, smartphones, and tablets. To compound this issue, viewer expectations have changed dramatically in recent years. During this Q&A session, Mot...

Submitted by Motty Lentzitzky

Published 01 April 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015

Increase productivity while editing

by Terry Goyette Issue 97 - January 2015 Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools...

Submitted by Terry Goyette

Published 01 February 2015

Still unsure about cloud editing? Read this..

by Stephen Streater Issue 97 - January 2015 For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won\'t cloud edit...

Submitted by Stephen Streater

Published 01 February 2015

Fixing it in parallel

by Daniele Siragusano Issue 97 - January 2015 Whenever something went wrong in television production, the cry was always "We\'ll fix it in post". Except that there was rarely enough time, in a broadcast schedule, to fix anything. Today we expect every programme - even routine television programmes like daily dramas - to look and sound perfect. But...

Submitted by Daniele Siragusano

Published 01 February 2015