KitPlus | Articles

More Power for Camera Accessories

Reliable, durable and plentiful battery power is essential for broadcast acquisition. The power demands of modern high-definition camera set-ups are now greater than ever. As the number of camera accessories increases so do the demands for battery power. In addition to power-hungry cameras, there is also a greater number of camera accessories avail...

Submitted by Bob Pank#

Published 01 July 2012

NAB 2012 Kit Review used by BroadcastShow

NAB kit review:-So pre-NAB we are all very busy organising interviews with 70 exhibitors over 4 days covering 4 halls and in our case around 28 miles. Late last year we developed an online interview booking system at www.broadcastshow.com which allows exhibitors to book one or more 15 minute slots, enter stand information and questions they may lik...

Submitted by Bob Pank#

Published 01 June 2012

Planning communications for a large sports outside broadc...

By Adrian Richmond and Nico LewisCommunications for the broadcast of live events are becoming more complicated and important than ever. On site, broadcasters only have one chance to grab the perfect image for the viewer– with time being a crucial factor. The larger the event the more viewers it reaches and the higher the risk that something could g...

Submitted by Bob Pank#

Published 01 June 2012

The evolution from audio to PIX

Sound Devices has built a strong reputation throughout the world as a leading manufacturer of high-quality audio field recorders and mixers renowned for rugged reliability, operational flexibility and pristine audio quality. While our users are quite familiar with our folks in sales, marketing and technical support areas, they may not be aware of t...

Submitted by Bob Pank#

Published 01 June 2012

Ask the experts - Fibre optic distribution and content de...

1- With the increase in bandwidth requirements for signal distribution systems, which infrastructure provides greater benefits — copper or fibre? Can you explain why?Both copper and fibre each have their place in today’s broadcast infrastructure. As we know, the useable bandwidth of coax cable is a function of both its physical construction and the...

Submitted by Bob Pank#

Published 01 May 2012

STAYING AHEAD OF THE BBCS QUALITY CURVE

At True Vision TV, our tagline is “Films that make a difference” – and it’s been our guiding ethos since the company was founded in 1995. We strive to make television that engages viewers with issues that matter, and we produce character-led documentaries that entertain, but also inform and educate. As such, we’ve built a particular reputation for...

Submitted by Bob Pank#

Published 01 May 2012

Light weight 3D side-by-side production

Whenever you see a typical publicity picture of a 3D production shoot, it invariably includes a very bulky and expensive-looking mirror rig. This can look daunting for the new initiate coming into 3D production and is not the sort of kit you might not want to risk using outdoors. The mirror rig arrangement allows two (usually large) cameras to be p...

Submitted by Bob Pank#

Published 01 April 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

The new world of live acquisition

While the debate rages over the future of broadcast television with discussion of OTT (OTT – over-the-top delivery – think iPlayer on Virgin Media as a key example – or LoveFilm. It means an on-demand content service that is delivered over the top of another network) and time-shifting increasingly hogging the limelight, there’s one arena in which t...

Submitted by Bob Pank#

Published 01 April 2012

Canon C300 Review

Canon's highly anticipated C300 camera is their first offering to the 'digital cinema' market. The camera was released amid a meticulously planned marketing campaign, which created a hype not seen since the Red One camera's introduction in 2006. Canon have since taken the camera on a global roadshow showcasing to all potential suitors, of which the...

Submitted by Bob Pank#

Published 01 March 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Is it time to hang up your glasses for field 3D monitorin...

The rapid growth of 3D content being shot and produced has created many challenges to the camera operators, production teams and indeed manufacturing companies. There has always been the problem of viewing 3D material as it is being shot and the ability to review it immediately afterwards, whether as a camera viewfinder or a portable 3D monitor. At...

Submitted by Bob Pank#

Published 01 January 2012

Ten Top Tips For OB Operators Fuel Economy

As fuel prices around the world hit a record high, every driver is looking for ways to squeeze as many miles as possible from every precious gallon or litre. If you are a broadcaster with a fleet of Outside Broadcast vehicles, how do you stop fuel overheads from rocketing and eating in to your hard earned profits?Recognising that fuel is not a disc...

Submitted by Bob Pank#

Published 01 January 2012

The art of 3D

Two recent events have expanded my understanding of 3D. BVE North turned out to be quite busy – both around the exhibition and at the many free seminars. Of course I made a beeline for the 3D Revolution Theatre where there were sessions throughout the two days of the show. The ‘Storytelling in 3D’ session was of particular interest. There’s been pl...

Submitted by Bob Pank#

Published 01 January 2012

3D Five years on

For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#

Published 01 December 2011