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High throughput satellite meets the challenge of IP media


For some time, many people in the media industry have been wondering how much longer satellite could remain a major player now that the era of 4K is upon us and there is such a rapid proliferation of channels. There just isn't the throughput for these new services on the current generation of satellites, so the argument goes, and the costs per giga...

Submitted by Simen Frostad
Published 22 July 2016

Looking back at a typical day working on Top of the Pops


A few weeks ago I was watching television and caught a bit of 'Top of the Pops ' from 1984, and I thought, 'Was this one of the programmes I worked on? ' I was privileged enough to be a staff cameraman at the BBC for 20 years, during that time I was able to work on many great shows: Only Fools and Horses, Blue Peter and Two Ronnies to name but a fe...

Submitted by graham reed
Published 14 June 2016

Smaller, Lighter, High-Capacity Batteries


Issue 113 - May 2016 The desire for longer run-times from smaller and lighter batteries, has always been keenly felt by users of high power consumption digital cinema style cameras. The new generation of cameras is smaller but the power consumption, in most cases, has increased. High-capacity Li-Ion batteries of 150Wh or more provide longer run-tim...

Submitted by Steve Emmett
Published 20 May 2016

5 Things I Saw At NAB


by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2
Published 13 May 2016

Shooting the Extreme


by Mel Noonan Issue 112 - April 2016 Steffan Hewitt started covering extreme sports as a cameraman and learnt to ski backwards while shooting skiers in front of him. Surprisingly he survived, and went on to design and use a lightweight pole with an early SD minicam slung at the top operated via a remote pan and tilt head from the other end. He call...

Submitted by Mel Noonan
Published 25 April 2016

The Search For The Coastal Wolf


by Bertie Gregory Issue 112 - April 2016 Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series...

Submitted by Bertie Gregory
Published 25 April 2016

Getting real with virtual


It's only February (or it is when I am typing this) but already we are suffering from exhibition overload. I did not go to Mobile World Congress, having no real desire to be mugged in Barcelona. But I did look in at BVE somewhere near London where a conversation with an exhibitor and old friend set me thinking. And perhaps wishing I was at Mobile W...

Submitted by Dick Hobbs.
Published 01 April 2016

Raising the bar at BVE


Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2
Published 01 April 2016

Must haves for wireless camera transmission


1. How has OB technology and workflow evolved over the years?In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happe...

Submitted by John Payne
Published 01 April 2016

Smaller Cameras Result in Big Changes in Fluid Heads and...


Issue 110 - February 2016 Smaller Cameras Result in Big Changes in Fluid Heads and Camera Support Solutions As technology progresses, videographers find themselves dealing with smaller cameras that become the flavor of the week, but are soon replaced six months later by technology that makes them even tinier. With this has come a new way of thinkin...

Submitted by Kevin Salvidge
Published 16 March 2016

Perfect Horizon Camera Stabilizer


by Brian Uranovsky Issue 110 - February 2016 PERFECT HORIZON CAMERA STABILIZERThe Perfect Horizon is an innovative camera stabilizer for land and sea, and regardless of bumpy rides or rough waves, this stabilizing device keeps your horizon perfectly stable. The Perfect Horizon (PH) won an ACADEMY AWARD as well as an EMMY for Engineering and Scienti...

Submitted by BRIAN URANOVSKY
Published 16 March 2016

Law Enforcement - Live, Mobile Video Surveillance


by Eric Chang Issue 108 - December 2015 Law enforcement, homeland security, surveillance, emergency response and military operations may span a range of operations, but they all share a crucial need for a detailed, real-time picture of rapidly changing events from various field locations. Leading law enforcement agencies have learned that there\'s...

Submitted by Eric Chang
Published 15 December 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

Picking the right prompter


by Jon Hilton Issue 104 - August 2015 There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration. 1. The Talent comes first...

Submitted by Jon Hilton#
Published 01 September 2015

5 must haves for sound recordists


by Paul Zanders Issue 101 - May 2015 Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier. 1. Sound BlanketA lot of studios are big empty spaces that bo...

Submitted by Paul Zanders
Published 01 June 2015