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How we lit Mick

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Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

SOOM under the Senegal sun

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No power – inconceivable for Europeans, but normal for the African village Ndelle. Situated six hours from Dakar, it is attainable only by dusty, sandy fields. However the approximate 800 village inhabitants have reason for joy: The company Solar 23 is building a solar plant in Ndelle. The German cameraman Jrgen Killenberger captured this project i...

Submitted by Dennis Lennie

Published 01 January 2009

Getting the best out of your LCD

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Getting the best out of your LCDs?Many people who use CRT picture monitors have found the introduction of LCD displays disappointing. Getting the best out of your LCD may not be as simple as it may seem. With a wide choice of vendors and models all proclaiming broadcast quality, it can be difficult to determine which product is most suitable for yo...

Submitted by Dennis Lennie

Published 01 November 2008

Stryder TV Brick House Video User Report

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Stryder TV is based in Oxfordshire and for decades we have provided both British and International broadcasters with a complete video production services. Our camera crews have operated in 45 countries from the Arctic to the Tropics and we produce anything from web content to beaming live pictures across the world with our satellite truck. We neede...

Submitted by Dennis Lennie

Published 01 October 2008

One man and his boat

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It all started when I decided to build a boat in the garage. A fifteen-foot gaff rigged pocket cruiser to be precise. I bought the plans from a naval architect in Wiltshire and had the hull planks computer cut by a specialist boat builder in Kirkcaldy. Then I searched the Internet for a DVD about boat building for beginners but found nothing. So I...

Submitted by Dennis Lennie

Published 01 May 2008

The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey questions

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What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008

A Cinematographers Companion, through hell and high water...

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Miller Camera Support has never been more thoroughly tested than by Australian Cinematographer Wade Fairley, through Antarctic winters and summers, floods in Tuvalu, swamps in the Solomon Islands and the outback deserts of Australia. The most outstanding project of recent times for Wade was the trip for the BBC Natural History Unit, shooting footag...

Submitted by Dennis Lennie

Published 01 March 2008

Lightweight Dolly Systems Vs Heavy Duty Kin

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Film sets are fortunate to still employ and make full use of a ‘grip’ and his kit. A Grip Department can make or break a film as they are involved in the whole filming process and a skilled grip can save hours and pounds for the world-weary producer. That aside in the smaller world of young film-maker and broadcast TV Documentary, grips are all but...

Submitted by Dennis Lennie

Published 01 March 2008