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A day in the life of a TV lecturer

0830The Dorset country lanes give way to the flood of traffic into Poole and Bournemouth as I negotiate the rush hour streaming into the seaside town. Driving past Poole Harbour, home of Sunseeker Yachts and the RNLI reminds me that yacht I once dreamed of is still a dream. However, the job I once dreamed of became a reality when I became a televis...

Submitted by Dennis Lennie

Published 01 July 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

Lighting. Back or rim light part 4

In my last article, I discussed modelling of the ‘talent’ by choice of lamp, and careful choice of the horizontal and vertical angle of the ‘key’ light. Having made those choices my next priority would be to choose a ‘back’ light. It is also sometimes known as a ‘hair’ light which gives a pretty good clue as to its function. Just to say that we are...

Submitted by Dennis Lennie

Published 01 May 2009

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Filters for HD Cinematography

The availability of low-cost HD camcorders with film-style tools, like 24 frame-per-second imaging and quality lenses, has put filmmaking capability in the hands of many. To achieve a film-style look, a director of photography can add a compliment of optical filters. Such filters can not only make color and other corrections to the image as it is s...

Submitted by Dennis Lennie

Published 01 April 2009

Mixing with the wildlife on Big Cat Live

A crew of 73 travelled out from the UK for 6 days of BBC’s ‘Big Cat Live’ programmes from Kenya early in October. Most of us were flown in on single engine cessnas which took us from Nairobi across the great Rift valley & down towards Tanzania. From the moment we touched down on the rough dirt & asphalt landing strip in the middle of the Masai Mara...

Submitted by Dennis Lennie

Published 01 March 2009

What do Location Managers do all day?

It’s a question that is often asked by my family who fondly believe I spend my time in idle chit-chat and gossip with high-powered film and media executives sipping skinny-latte Mocachinos (whatever they are!) and eating sushi. But consider the following exciting ‘James Bond’ style scenario. “Our hero and heroine are on the run, driving fast throug...

Submitted by Dennis Lennie

Published 01 March 2009

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

Lighting and Grip.

Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009

Lightworks Editing

It is said that “Variety is the Spice of Life” and the Lightworks Editing systems have been very spicey recently. The new season of the English Football Premiere League will once again see Perform Media Services Ltd. bringing their Lightworks “Softworks” editing systems into action. Perform have the contract to provide in match “near live” and dela...

Submitted by Dennis Lennie

Published 01 December 2008

Behind the scenes at Big Brother 9

Working 94 days with no day off is a hard task. It’s even harder for the TV equipment that has to keep going round the clock, every day, to keep all the viewing ‘addicts’ supplied with live footage and highlight editions. This is the situation that the Big Brother 9 team finds itself in. For those inside the house, there is actually a means of esca...

Submitted by Dennis Lennie

Published 01 December 2008

London to Capetown, by bike Part 3

Brazzaville was still five hundred kilometers away and the road was still a little on the rough side but not as sandy. What it lacked in sand however, it made up for in water. The road had developed the particularly unattractive habit of having huge water-filled mud-holes at any place where it was impossible to pass on either side. So there was no...

Submitted by Dennis Lennie

Published 01 December 2008

Lights, Camera, Makohead Action

With the movie Quantum of Solace due to hit the big screens in October, audiences around the world are already gearing up for another huge blockbuster from the James Bond stable. The movie, which began shooting at Pinewood studios in November 2007, will undoubtedly include the spectacular action sequences that are the hallmark of James Bond films....

Submitted by Dennis Lennie

Published 01 December 2008