KitPlus | Articles

Premiere 4K aquisition - LIVE

SIS LIVE recently put together a working group to explore the technology and workflows required to deliver live, 4K, multi-camera event coverage from an outside broadcast unit, which culminated in a field test at St James Park on 2nd February. Working with major camera and equipment suppliers, SIS LIVE has conducted proof of concept tests at base u...

Submitted by KitPlus

Published 01 April 2013

Adventure Filmmaking with Ian Burton

What exactly is it that you do now/ what do you specialise in? How did you get started in filmmaking?I'm an independent adventure filmmaker, specialising in shooting in remote and ‘vertical’ locations. I shoot my own projects as well as commercial projects for a huge range of companies, and I love filming world class extreme athletes pushing themse...

Submitted by KitPlus

Published 01 April 2013

NAB is for soothsayers, trendsetters and people with road...

Unlucky for some…by Will StraussPrototypes, alpha products, demos and proofs of concept: NAB in Las Vegas is all about future innovation. Will Strauss picks 13 stands that you must visit this year. With the dust from BVE barely settled, it’s already time to look towards NAB. I know, I know. Don’t shout at me. I didn’t arrange the broadcast industry...

Submitted by Will Strauss#

Published 01 April 2013

A very useful tool: Atomos Samurai reviewed

By Stephen J. BrandInternational cameraman Stephen J. Brand’s work takes him to some far-flung places. As well as work for BBC Channel 5, ITV and Channel 4, Stephen recently spent 6 weeks in the Middle East filming a wildlife commercial for Qatar TV using a Sony EX3 and an Atomos Samurai, which he describes as a ‘‘very useful little tool”. Here, he...

Submitted by Stephen J. Brand

Published 01 April 2013

Cooke Optics

by Robert HowardHere at Cooke Optics we’re currently basking in the golden glow of our brand new Academy Award® of Merit – yes, that’s an Oscar® statuette – which we received this February in recognition of our continuing innovation in the design, development and manufacture of motion picture camera lenses. From Charlie Chaplin and Laurel and Hardy...

Submitted by Robert Howard

Published 01 March 2013

4K or not 4K, that is the question

Peter Savage goes all literary to show how our industry draws on Shakespeare and Keyne. 4K or not 4K, that is the question. Whether 'tis nobler in the mind to suffer The slings and arrows of a much larger workflow Or to take arms against a sea of other formats And by opposing end them. 2K, to sleep No more--and by a sleep to say we end That format,...

Submitted by Robert Howard

Published 01 March 2013

The way forward for lighting control

High Quality LED Fixtures are the Way Forward for Lighting ControlPat Grosswendt, Co-Founder, LitepanelsThe majority of directors of photography (DPs) work by the motto that if anything looks lit then it has been done badly. Whether on the set or in the studio, lighting directors strive to create images that look as natural as possible. The key to...

Submitted by Pat Grosswendt

Published 01 March 2013

Sony cameras and Canon EF Lenses being used to great effe...

By Mike Tapa MTFWith the immanent introduction of the F5 and F55 from Sony, perhaps we should take look back on the fantastic work done by its predecessor the PMW-F3 in the past year. Interchangeable lenses is one of its main features, coupled with an extremely shallow lens register make this one of the most versatile tools in any cameraman's a kit...

Submitted by Mike Tapa

Published 01 March 2013

Ask the experts: What lens?

Ask the Expert with Paul Sargeant, Procam TVWhen choosing the right lens for your project, there are a huge range of options to choose from that depend entirely on your individual project and your needs. You need to think about the quality of filming you require, where the content will be placed, what camera you will be using to shoot it and how yo...

Submitted by Peter Daffarn

Published 01 March 2013

Finally a compact HD zoom lens!

By Steffan Hewitt, director, PolecamThere are a great number of situations in our industry where the requirement for a small low profile broadcast quality HD camera is needed, whether it be for documentaries, natural history, in car, on board, covert, news, drama, underwater, on a jib arm or small remote head – the list goes on, and expands from th...

Submitted by Steffan Hewitt

Published 01 March 2013

Lights Camera Action for Silverstone F1

Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons

Published 01 March 2013

Three legs good... better, best

by Kieron SethFluid SticksWhy do exhibitions and open days still exist in the social media mad world? Why do manufacturers and resellers maintain show rooms when information is immediately accessible online?Simple: no matter which ‘celebrity’ DOP endorses a particular product, there’s no way to log on to assess how any camera balances on the should...

Submitted by Kieron Seth#

Published 01 March 2013

Is it time to review your colour grading toolset?

One important step for all budget levels of post-production is the colour correction or grading tools you use to match the colour of different shots in your edit, to give a consistent look and feel. You may already be doing basic colour grading without really thinking of it as a separate process in your edit, or you may be sending off your edited t...

Submitted by Mark Brindle

Published 01 February 2013

The Future of 3D

Over the last 3 years I’ve worked in more than ten different countries on stereo 3D; and no matter where in the world I am I’m continually running across the rumour that 3D has done its dash and will soon be heading the way of the dodo. As with most rumours though I have yet to see any evidence of this. One of the most anticipated releases for Fran...

Submitted by Will Strauss#

Published 01 January 2013

3D filmmaking

Stereographers are in demand, they have little time and the time they do have is highly valued. I first met Demetri at IBC this year during the showing of HUGO (see page XX) and we were fortunate enough to catch up with him again during a flight to LA where he was heading for the first stage of 3D post for 47 RONIN. His opinions on 3D filmmaking ar...

Submitted by Bob Pank#

Published 01 January 2013