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4KTV The next bigger thing?

4KTV – The next bigger thing?The history of 4K digital moving images goes way back to the mid 1990s. That was when film effects started to be processed digitally and produced amazing results – maybe a bit too amazing for some. Of course the effects had to be seamless and so the digitised effects images had to carry all the required detail of the 35...

Submitted by Bob Pank#

Published 01 August 2012

Legacy and The Olympics

Legacy And The OlympicsLove sport or hate sport, the Olympics have arrived. What will they mean for you, me and the broadcast sector, asks Peter SavageThe days might still be counting down but there is no doubt: the Olympics have arrived. The Olympic torch is being carried round the country, test events have taken place in Olympic arenas, and the f...

Submitted by Bob Pank#

Published 01 July 2012

Capturing Eagles In Flight

Capturing Eagles In FlightAs a highly regarded wildlife cameraman, Mateo Willis is in great demand from blue chip broadcasters such as the BBC and the Discovery Channel, which employ him to work on many of their most prestigious nature documentaries. Mateo’s speciality is long-lens work and he often spends large amounts of time in remote locations...

Submitted by Kieron Seth#

Published 01 July 2012

Vegas Baby!

So last month was NAB in Las Vegas, and I got to go!Now I'd never been to the States before. I really didn't know what to expect. Other than not being allowed in bars or casinos as I'm under 21. And trucks on the road, larger meal portions and a favourable exchange rate. Thankfully I'm used to long flights, and after establishing that I could take...

Submitted by Bob Pank#

Published 01 June 2012

How location audio changed with the birth of reality TV

In the twenty-plus years that I’ve been a sound mixer/recordist I’ve witnessed countless changes in our industry from the introduction of digital multi-track recording to the arrival of 5.1 surround sound. But the biggest, most dramatic paradigm shift I’ve seen is much simpler than that – and it’s a social thing. For many years, when it came to rec...

Submitted by Bob Pank#

Published 01 June 2012

NAB 2012 Kit Review used by BroadcastShow

NAB kit review:-So pre-NAB we are all very busy organising interviews with 70 exhibitors over 4 days covering 4 halls and in our case around 28 miles. Late last year we developed an online interview booking system at www.broadcastshow.com which allows exhibitors to book one or more 15 minute slots, enter stand information and questions they may lik...

Submitted by Bob Pank#

Published 01 June 2012

An Authentically American firm with an Englishmans heart

America has always been a land marked by pioneers and trailblazers, by entrepreneurship and vision. So, in 2004, when London based equipment hire firm HotCam sought to expand, founder Trevor Hotz could think of no better place to be. “Back then a lot of our competitors were opening up in Manchester and Glasgow but that didn’t appeal to me,” says Ho...

Submitted by Will Strauss#

Published 01 May 2012

Light weight 3D side-by-side production

Whenever you see a typical publicity picture of a 3D production shoot, it invariably includes a very bulky and expensive-looking mirror rig. This can look daunting for the new initiate coming into 3D production and is not the sort of kit you might not want to risk using outdoors. The mirror rig arrangement allows two (usually large) cameras to be p...

Submitted by Bob Pank#

Published 01 April 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

Casual specs

If you are a regular reader of this column, you probably know by now that I am a lover of technology that is useful, or at least very attractive. On the other hand I am quite scornful of stuff that engineers come up with because they can, without ever having an idea of what it is for. I do not go to the CES show – one trip a year to Las Vegas is en...

Submitted by Bob Pank#

Published 01 April 2012

A new era in slow-motion?

Those readers who watch sports programmes on a regular basis may have noticed that many productions now have high speed cameras providing so called “ultra-motion” replays as a part of slow motion sequences. These cameras have been in use for many years in such areas as crash testing and sports training, but until recently the quality of the image h...

Submitted by Bob Pank#

Published 01 April 2012

BVE 2012 in no particular order.......

The big story at BVE 2012 was BVE 2013. With the Earls Court exhibition site scheduled for redevelopment, BVE relocates next year to the ExCel exhibition site in London’s Docklands. The distance is only about 10 miles but, in the minds of many BVE exhibitors, the move is comparable with moving the NAB Convention to the Mississippi Delta. If you rea...

Submitted by Bob Pank#

Published 01 April 2012

3D Diaries Cameras: more for less

http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#

Published 01 March 2012

ARRI LED technology

With a growing range of LED products, ARRI is providing industry professionals with all of the benefits of using a Low Energy Lighting source with familiar characteristics. The L-Series LED Fresnel fixtures are so close to their conventional equivalents that they create a like-for-like replacement of traditional Fresnels with LED-based light engine...

Submitted by Bob Pank#

Published 01 March 2012

Getting back to basics on HOW TO CHOOSE YOUR GRIP AND SUP...

When looking to purchase grip and support systems there are now a variety of different options available to the dedicated cameraman and this potential minefield of different equipment, at varying prices, can seem daunting and confusing at first. What’s the difference between a shoulder support, steady mount and a stabilizer? Are slide rail systems...

Submitted by Bob Pank#

Published 01 March 2012