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Every election counts


by Charlie Watts Issue 102 - June 2015 "We choose to go to the Moon in this decade and do the other things, not because they are easy but because they are hard.\" - JF KennedyThis may seem slightly overblown, but that is how we face things here in the University of Portsmouth. It\'s possibly because we have to try that little bit harder due to our...

Submitted by Charlie Watts
Published 01 July 2015

REDucation - Real world RED camera training


by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff
Published 01 June 2015

#TVFUTURES


by Simon Bull Issue 99 - March 2015 Sport\'s television is a multi-billion dollar industry that draws millions upon millions of viewers to a gigantic range of sports programming. Many of the most watched television events have been sports broadcasts, the Olympics, the World Cup, and the Super Bowl to name a few. It\'s an ever-growing universal indu...

Submitted by Simon Bull
Published 01 April 2015

Training for media - who should do it?


by Martin Uren Issue 99 - March 2015 Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a...

Submitted by Martin Uren
Published 01 April 2015

The business of University: Or lack thereof


by Ashley Golder Issue 97 - January 2015 University. Finally a time of critical thinking, training for your future career and coming out with enough knowledge to confidently acquire a job... or rather that is the plan. But what if that doesn\'t happen? When the £9,000 a year tuition fee, plus the expense of living costs rear their ugly heads and th...

Submitted by Ashley Golder
Published 01 February 2015

Seven thoughts for the New Year


by Larry Jordan Issue 97 - January 2015 It is my favorite time of year - a time of resolutions and predictions. Resolutions are fun. They showcase all the things we would like to have happen in the New Year - provided they don\'t take too much work on our part. While resolutions are personal, predictions are a group sport. So, after another year wr...

Submitted by Larry Jordan#
Published 01 February 2015

#TVFUTURES


by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome
Published 01 January 2015

BAH! Humbug


by Dick Hobbs Issue 96 - December 2014 Yes, it's that time of year again. When, if you are a commercial broadcaster, you start coining it in with the Christmas commercials. Presumably if you are a director or a post house, you are already pitching for next year's blockbusters. They never have the look of something that has been knocked up on the sp...

Submitted by Dick Hobbs.
Published 01 January 2015

The Autoue Motion Pro camera stabiliser


By Matt LyneThe Autocue Motion Pro camera stabiliser is a brilliant piece of kit for getting high movement shots whilst also maintaining the ability to pan/tilt with ease. It is light compared to similar functioning stabilisers however prolonged use will quickly tire out your arm due to the manner in which you hold it with one hand at almost arms l...

Submitted by Matt Lyne
Published 01 January 2015

#TVFUTURES


by Simon Bull Issue 95 - November 2014 Since introducing myself to Kitplus readers in the tv-bay Magazine back in September its fair to say that now, things are in full swing. The BSc Television & Broadcasting is a degree that aims to replicate industry standard production planning, content and deadlines and in the first few weeks we have been thru...

Submitted by Simon Bull
Published 01 December 2014

Training Tomorrows Technicians


by Tony Cahalane Issue 94 - October 2014 Ours is a hungry and demanding industry. It requires a constant supply of highly skilled and dedicated technicians who are willing to work hard, under often difficult circumstances, to help deliver the environment for production teams to thrive, in an ever-evolving media landscape and one where insecurity is...

Submitted by Tony Cahalane
Published 01 November 2014

#TVFutures


by Raechelle Jackson Issue 94 - October 2014 The third year level of BSc Television and Broadcasting has become infamous. Students know it will be a hard year long before they join the level, and now I am in that position, I sense both the crackle of fear and anticipation. So if there is anybody reading this expecting to see comments about hating e...

Submitted by Raechelle Jackson
Published 01 November 2014

Suriving IBC


by Larry Jordan Issue 93 - September 2014 I long ago lost count of the number of trade shows I’ve attended -- it runs into the hundreds. From small table-top affairs to massive shows like IBC, NAB, CES, and many others now long forgotten, I’ve attended shows, exhibited at shows, and covered shows as press. In this article, I want to share my experi...

Submitted by Larry Jordan#
Published 01 October 2014

Making the invisible visible


by Charlie Watts Issue 92 - August 2014 September 2014 will see a brand new communication and televisual experience unleashed for University of Portsmouth students within the newly opened Eldon Building. Catherine Harper, Professor and Dean of the Creative and Cultural Industries (CCI) Faculty, and Gary Bown, Principal lecturer, have both made it t...

Submitted by Charlie Watts
Published 01 September 2014

A new age of teleprompting?


by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#
Published 01 September 2014