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NAB Review


by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne
Published 13 May 2016

Remote Production


by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green
Published 13 May 2016

TV Futures


by Jemma Davis Issue 112 - April 2016 The second year of my degree course gives a variety of options, and one of these is scuba diving and filming. It\'s something I\'ve never considered before, so when I saw it as an option choice I was delighted to be faced with the opportunity to film underwater. I can also now say it was the best thing I\'ve ev...

Submitted by Jemma Davis
Published 25 April 2016

Wireless Keyboard Review


by Beth Zarkosh Issue 112 - April 2016 Knowing all of the shortcuts can really help you become much more productive and saves you from getting a sore hand from all of those additional mouse clicks you\'d have otherwise needed to make. (Thank us later!) You may know a few of the shortcuts already, however this handy list shows off just a small selec...

Submitted by Beth Zarkosh
Published 25 April 2016

TV Futures - Streaming


by Danielle Wiltshire and Oliver Ray Issue 111 - March 2016 Hello I\'m Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with tea...

Submitted by Danielle Wiltshire
Published 01 April 2016

Camera Operation and Training Part 1


by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick
Published 16 March 2016

TV Futures


by Lloyd Ashton Issue 110 - February 2016 #TVFuturesUniversity radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years,...

Submitted by Lloyd Ashton
Published 16 March 2016

Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

Riding the TV Marketing and Social Media Wave


with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University
Published 15 December 2015

Making remote production over IP a reality


by John Smith Issue 107 - November 2015 Live sports broadcasting is one of the most technically challenging tasks for any production team. Multiple signals in multiple formats need to be transmitted around the sports facility. In addition, signals need to be integrated with feeds from other locations to create a complete broadcast stream. As a resu...

Submitted by John Smith
Published 01 December 2015

TVFutures:Student pitch


by Alex Watson Issue 107 - November 2015 Studying at university is so much more these days than just turn up to lectures, hand in assignments and get a degree, and at the end of my first year studying for a BSc in Television and Broadcasting at the University of Portsmouth, I had the opportunity to attain my Avid Media Composer User Certification....

Submitted by Alex Watson
Published 01 December 2015

The Tour June 2015 review


Issue 103 - July 2015 The KitPlus Tour once again attracted record registrations and visitors at MediaCityUk and Shoreditch in June. The tour gives people the chance to see newly released kit from NAB (Las Vegas) for the first time but more importantly to spend quality time with manufacturers learning about new technologies. The event took a twist...

Submitted by KitPlus
Published 01 August 2015

Cue Dick Barton Music


by Charlie Watts Issue 103 - July 2015 RUN VT: This time last year the University of Portsmouth course team and students of BSc Television and Broadcasting were recovering from a mammoth charity fundraising 24 hour broadcast. In hindsight this event helped to convey what the course was capable of, and it created an unforgettable milestone moment. I...

Submitted by Charlie Watts
Published 01 August 2015

#TVFUTURES


by Callum O\'LearyIssue 102 - June 2015I made it! So here we are, the last feature to write for Kit Plus and the end of my time as a BSc (Hons) Television and Broadcasting student at the University of Portsmouth. I remember my first year at the University fondly. Lecturers and students told me that it would fly by and however cliched it sounds...it...

Submitted by Callum O Leary
Published 01 July 2015

Is working for free, training or a pathway to paid work?


by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed
Published 01 July 2015