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Making an advert with the Blackmagic Cinema Camera


by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn
Published 01 September 2013

Why test and measurement is for real life, not just for e...


by Will StraussIssue 79 - July 2013 Thanks to its long-standing association with virtually incomprehensible acronyms, dark machine rooms and (lets face it) engineers with unruly beards, the subject of Test and Measurement (T&M) always gets a bit of bum rap. Yet, for all the pre-conceptions, it is a hugely important part of the production and broadc...

Submitted by Will Strauss#
Published 01 August 2013

Winner of the most viewed interview award


We're happy to announce the launch of the new JVC GY-HM70 shoulder mounted camcorder. This new model offers a professional appearance together with excellent image results in low-light situations, making it ideal for videographers working at weddings and other special events. Offering superior image stabilisation and loaded with new features for en...

Submitted by KitPlus
Published 01 July 2013

Product update with Swit - travel safe power solutions


Swit Electronics is a high-tech enterprise that manufacture power solutions and accessories for the professional broadcast and video industry. Products include batteries and chargers, on-camera lights, monitors and more. Swit design and manufacture their products to the smallest detail and therefore the end result is a high performing, high quality...

Submitted by KitPlus
Published 01 July 2013

Cameras, conversations and conversions at Camera Diner wi...


Every Thursday evening, around 500 viewers tune in online to Camera Diner’s live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging world’s biggest names. The whole thing is streamed live from a basic set-up in Oxford, England. Shot on a 1950’s style diner set, the...

Submitted by Paul Genge
Published 01 May 2013

What you see is what you get? Doubtful!


by Robin PalmerThe colour you see is not necessarily the same colour experienced by someone else looking at the same thing. It all depends on the viewer and the viewing conditions as well as the actual colour of the thing. In some professions having perfect colour vision is a matter of safety as in the case of airline pilots and those in railway si...

Submitted by Robin Palmer
Published 01 March 2013

The joy of field editing


In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#
Published 01 February 2013

Robin Palmer and why flashy programmes are not so good?


by Robin PalmerEver since the 1997 Pokmon phenomenon when hundreds of Japanese children were struck with epileptic fits provoked by a series bright red flashes in a TV cartoon programme broadcasters have become only too aware of PSE. Photo-Sensitive Epilepsy is a rare condition affecting perhaps only 1 in 4,000 people where flashing lights or image...

Submitted by Robin Palmer
Published 01 February 2013

Why does my project look different on every screen I watc...


By Thomas UrbyeThe age old question, asked by so many people who’ve come through my suite: “I’ve downloaded it to my laptop and it looks different?”Then there is the inevitable panic:“Thomas, how can we make sure that everyone who watches it, watches it ‘properly’?”This issue recently came to light with a campaign backed by moviemakers launched to...

Submitted by Thomas Urbye
Published 01 February 2013

Twas the issue before Christmas;


As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#
Published 01 January 2013

Video Monitoring Essentials - By Den Lennie


As a DP the video monitor you work with is one of the most important tools on set. I began my career in 1994 shooting television news for Reuters on Betacam SP and it was very rare that I'd get to use a monitor on location. As my career evolved I started shooting more considered pieces and used Sony 9\" tube monitors all flight cased up. I shot the...

Submitted by Kieron Seth#
Published 01 December 2012

4k The New Gunslinger in Town


Just when you thought it was sufficient to declare yourself ‘HD Ready’, along comes 4k. But don’t panic. Here’s the lowdown on what it all means and what tools are currently available. By Will Strauss. As someone that works in (or near) the town named broadcasting I probably don’t need to tell you this but technology advances pretty quickly around...

Submitted by Will Strauss#
Published 01 December 2012

Wibbly Wobbly Waveforms


The very first analytical electronic instrument, developed in the late 1890s, was the oscilloscope. This used a cathode ray tube (CRT) to paint a graph of voltage on the Y axis versus time on the X axis. Once television became a practical reality in the 1930s, the same instrument was applied to the video output from the camera and became the very u...

Submitted by Bob Pank#
Published 01 November 2012

Camera innovations from IBC


IBC 2012 – ‘Dam, that was a good showFresh from another trip to Amsterdam, Will Strauss picks his ‘best in show’ camera innovations from IBC. I know, I know. It’s October and the chances are that you’ve already had your fill of ‘round-ups’, ‘reviews’ and ‘what I saw in Amsterdam’ type articles. But with so much stuff to choose from at the show, hop...

Submitted by Will Strauss#
Published 01 November 2012

Handheld T and M the broadcast emergency service


“Test and Measurement”. Shudder. Like “Health and Safety”, “Bus” and “Replacement Service” or “Keith and Orville” it’s a collocation of words that fills me with dread. Seriously, who wants to read about “Test and Measurement”? Well, as it turns out, the answer is: quite a lot of people. Because, despite its lack of glamour, it is hugely important....

Submitted by Will Strauss#
Published 01 August 2012