KitPlus | Articles

4k - is it really worth it

by Beth Zarkosh Issue 108 - December 2015 4K; the holy grail of modern digital filmmaking. Weve all heard of it, but perhaps not all of us are ready for the change. Here we look at the perceptions versus the realities of shooting in 4K. Ultra High Definition is something that has derived from 4K, but now it seems most filmmakers are pressured into...

Submitted by Beth Zarkhosh

Published 15 December 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

The fast-moving business of providing pop-up editing suit...

by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri

Published 01 February 2015

Post Production gear guide - what new products to watch o...

by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh

Published 01 February 2015

Increase productivity while editing

by Terry Goyette Issue 97 - January 2015 Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools...

Submitted by Terry Goyette

Published 01 February 2015

4k - fancy fad or future of broadcasting?

by John Halksworth Issue 96 - December 2014 Given the increasing popularity of 4K or Ultra High Definition (UHD) televisions, as well as 4K-capable video cameras, it is safe to say that 4K/UHD is here to stay. While filmmakers in all spheres have been shooting in 4K for some time, distribution of 4K is still in its infancy with very few cinemas sho...

Submitted by John Halksworth

Published 01 January 2015

Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

Exposed to ideas

by Dick Hobbs Issue 94 - October 2014 I did not get the chance to attend much of the IBC conference this year. But I did make sure I was there for the interview with Professor Brian Cox, which was excellent. He is witty, charismatic and exceptionally clever. Once a keyboard player in a rock band, Cox is now a particle physicist and one of the leade...

Submitted by Dick Hobbs.

Published 01 November 2014

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Portaprompt Tablet Prompter

by Mark Stopher Issue 93 - September 2014 The Portaprompt Tablet Prompter is a nifty mounting system that allows you to place a tablet on the front of your camera and use it as a screen for your teleprompter. Recently, I was using it in a studio set up to film some product demonstrations - using an iPad. I was impressed!The system has a 12’’ piece...

Submitted by Mark Stopher

Published 01 October 2014

KVM extenders and matrix switches in broadcast

by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann

Published 01 September 2014

Big hands small head

by Graham Reed Issue 91 - July 2014 A long time ago, in a place that no longer exists, BBC Television Centre, we had large cameras E.M.I. 2001, They were often referred to as the cameramans camera, as at the time they gave what was considered excellent pictures in 625 lines (SD), but of course they suffered from many problems. They needed constant...

Submitted by graham reed

Published 01 August 2014

Information Control and Automation but not as you know it

by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire

Published 01 July 2014

Mildred: The next generation of OB vans

by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs

Published 01 April 2014

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014