KitPlus | Articles

How the mysteries of Library and Archive have changed in...

As I walked into the ATV Bridge Street studios in Birmingham in November 1974 I could not have known what a revolutionary time I would experience in my career as a “Library Guy”. Since 2” tape became the recording medium for television in the late fifties nothing much had changed in its cataloguing, storage and usage. A few stickers on the tape, a...

Submitted by Bob Pank#

Published 01 October 2011

Keeping both eyes on the ball

It goes without saying that spectator sports are made for television; of course they are, as can easily be proved by trying to follow a football match on radio. A skilled radio commentator can describe key aspects of the action fairly well but television actually gives viewers the impression that they are sitting in the stadium. Widescreen high def...

Submitted by Bob Pank#

Published 01 September 2011

tv-bay questions

Name & Title?Barrie Williams, owner and founder of Pixelfantastic, a boutique post production facility 13 miles east of SohoWho are you? (about yourself and who you work for)?I started my career in front of the lens as a musician, touring Europe for several years playing Jazz violin. We did a lot of TV work, so I became very familiar with the insid...

Submitted by Bob Pank#

Published 01 September 2011

Apple Final Cut Pro X The Critic

So we're finally here, one of the best-loved companies in the world has just launched the successor to its hugely popular video-editing program, which of course, is Final Cut Pro. Final Cut Pro X has just been launched. The previous edition cost over £600, so with the latest version costing under £200 and offering over 250 new features, you'd think...

Submitted by Bob Pank#

Published 01 September 2011

Jack of all trades

So those following my column will know I’m Emma and currently in my first year working as a freelance production assistant. There’s been a few n00by mistakes but also some successes!The best thing about my job has to be the variety of clients I work with, and the variety of roles I can fulfil. This month I've been a second camera operator, producti...

Submitted by Bob Pank#

Published 01 September 2011

Production Profile with Polecam

What brings an innocent young Swede into the competitive high-adrenalin business of television production? In my case, it all began at school. I developed an early fascination for photography and created slide shows that were presented as end-of-semester happenings to my fellow students. Unlike television, you can actually watch a live slide-show a...

Submitted by Bob Pank#

Published 01 September 2011

Intercom for Sports Production

The best kind of intercom system is one that works so well that it only takes a button or two to push when communication is required. Because of how quality intercom systems simplify communication, it is one of the broadcast industry’s most undervalued technologies. However, it is absolutely essential to a successful broadcast, especially in the fa...

Submitted by Bob Pank#

Published 01 September 2011

Using Panasonic AG-AF101 HD Camera

Introduction When award winning film maker and photojournalist Fiona Lloyd-Davies announced her latest project to embark on a journey to The Democratic Republic of Congo, she described the place as “probably one of the toughest environments that a camera can work in - very hot and very, very dusty” but, this was to be just one rigor amongst many du...

Submitted by Bob Pank#

Published 01 August 2011

tv-bay questions

Who are you? (about yourself and who you work for)?I am a freelance colourist working mainly in London and LA. I am the founder of the UK’s first datalab MYTHERAPY. I am also working on behalf of several manufacturers in research and development of colour science for digital film cameras; I am a demo artist for Iridas and Master Colourist at ICA In...

Submitted by Bob Pank#

Published 01 August 2011

Courting communications

This week I received two press releases from major companies, both, incidentally, beginning with A and holding the number one and two spots in broadcast editing. And both, in their different ways, were prime examples of how not to do it. In the purple corner we have, and I quote “Avid today announced that it has been awarded a significant contract...

Submitted by Bob Pank#

Published 01 August 2011

Guaranteed Income or working freelance

I am not a morning person. But by mid morning (so about 11am), once I’ve had my caffeine fix and something to eat, I’m good to go. Unfortunately, coffee and cake won’t make me proactive. Up until recently, my working life consisted of just working a Saturday shift operating a photo lab in a store in the local town centre. (And I’m currently still t...

Submitted by Bob Pank#

Published 01 August 2011

Digital media monitoring

What is digital media monitoring?Most media delivery chains now include a combination of IP and broadcast stages, regardless of the viewing platform of the end user. This combination of technologies into a hybrid delivery chain has thrown up new complications in terms of monitoring and analysis. Before the introduction of IP technologies into media...

Submitted by Bob Pank#

Published 01 July 2011

Meeting the Demands Of The Market

Much has been said about audio loudness and there can be few people in broadcast who are unaware of the new legislation being introduced by various countries to control this problem. The UK and Italy have already set limits on loudness levels and in 2010 the US introduced the Commercial Advertisement Loudness Mitigation Act (CALM), making it illega...

Submitted by Bob Pank#

Published 01 July 2011

3D or not 3D, that is the question

Peter Savage wonders if the buzz around 3D is really justified – despite his willingness to don some 3D specs and head to the big screen in his local pubLast Saturday night I sat and pondered the broadcast question of the moment – 3D or not 3D?Not unlike poor Hamlet, unable to reconcile his mind on life, I was torn between the hype and the reality...

Submitted by Bob Pank#

Published 01 July 2011

QC: An Inside Job

The requirement for quality control grew up in the early days of television and depended on measurement instruments to check the video and audio going to air. This T&M made prefect sense when equipment was analogue and, to an extent, has continued into the digital era, however the needs of the digital file based workflow environment are very differ...

Submitted by Bob Pank#

Published 01 July 2011