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What does the Royal Wedding mean for us


The recent announcement of the royal engagement has triggered a wave of national euphoria – at least at the thought of an extra bank holiday in April next year. But, for us broadcast professionals, it also brings a welcome boost and a much hoped for additional income to our cash-tied industry. It is one of only a few indicators showing that the lon...

Submitted by Bob Pank#
Published 01 January 2011

The 2010 spending review cutting into the future of our i...


Our industry can survive the government’s cuts provided we stand-up and speak for ourselves, says Peter Savage. In October the UK government announced the most comprehensive spending cuts in over 50 years. With the Department for Culture, Media and Sport facing cuts of more than £300m and the BBC’s licence fee frozen for six years, the forecast is...

Submitted by Bob Pank#
Published 01 December 2010

Around the globe with Q-Ball


The bicentenary of the birth of Charles Darwin was celebrated during 2009 by a variety of TV programmes studying the background to his 1859 book 'On the Origin of Species'. One of the most ambitious tributes was a 35-part series planned and produced by Dutch broadcaster VPRO. Rather than hire a studio, they commissioned the three-masted clipper Sta...

Submitted by Bob Pank#
Published 01 November 2010

TV Bay Questions


Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#
Published 01 November 2010

Restoring The World At War


Originally broadcast in 1973 by ITV, the sweeping documentary “The World at War” focuses on the events immediately before, during, and after World War II. The British-produced television series is presented in 26 hour-long episodes and provides one of the most penetrating views into the war ever put to film. Narrated by Sir Lawrence Olivier, “The W...

Submitted by Bob Pank#
Published 01 September 2010

GSOH


This will come as no surprise to anyone who has met me, but I like a laugh. After a hard day at the coal face of incisive insights into the technology of our industry, nothing chills me out quicker than a good comedy. There is a channel on my personal EPG to which I return regularly. I will not mention it by name because I am about to be rude about...

Submitted by Bob Pank#
Published 01 September 2010

Game, Set and Media Management


A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#
Published 01 August 2010

19inch Racking, an evolution


If you have ever worked with 19” racking you probably have the scars to prove it. From its inception in the 1930’s to the present day the 19” rack has hardly evolved. Standards organisations, from BSI, ISO ANSI and DIN all have their own take on the 19” rack and, as you all know, you never could get that Dell server in the HP rack. With cage nuts,...

Submitted by Bob Pank#
Published 01 June 2010

B4 to EX3 adapter


It’s difficult to get excited about things like adapters but that’s exactly what I was when Mike Tapa of MTF Services sent me his latest creation for review and testing. The “Powered B4 to EX3 Adapter” lets you attach any 2/3” B4 mount lens to your EX3, maintaining full servo zoom, auto iris and VF info. This ability opens up a whole new world of f...

Submitted by Bob Pank#
Published 01 June 2010

Im a celebrity get me out of here


Gearhouse Broadcast was awarded the contract to supply broadcast equipment and some crew for Granada Productions “I Celebrity Get Me Out of Here” in 2008. Since that time we have been involved in two UK shows and one German show in Australia plus a USA show in Costa Rica. Planning for these shows is an all year round exercise as the UK show is Dece...

Submitted by Dennis Lennie
Published 01 February 2010

The best job in the Met


If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie
Published 01 February 2010

Tv-bay industry recruitment special


The last 12 months have proved to be challenging times for businesses in our industry and there has been mixed reactions on the best way to tackle the issues facing companies. Having been a part of the most difficult economic climate within the last decade a number of businesses are simply focussing on survival, staying afloat and consolidation. Ha...

Submitted by Dennis Lennie
Published 01 December 2009

Lighting the X Factor


It’s Friday morning at a television studio in the shadow of Wembley Stadium’s iconic arch and already there are fans and paparazzi outside waiting to catch a glimpse of their favourite contestants and judges arriving for rehearsals. Now three weeks into the live final shows, nine contestants have reached ‘Rock Week’, once again singing for their li...

Submitted by Dennis Lennie
Published 01 December 2009

Digital Vision case study


The Edit Store, based in London’s W1, is one of the last few independent facilities in the city. Spread across two buildings, the Edit Store provides many of the world’s leading broadcasters with offline, online, grading and audio dubbing facilities primarily for broadcast factual programmes. At the heart of its HD grading suite, introduced in 2008...

Submitted by Dennis Lennie
Published 01 October 2009

Diversify - the key to success


Most business could survive the recession if they adapt what they do, or how they do it, explains Peter SavageIn the current economic climate, with the market shrinking, every business has to look at ways of growing or developing – if they are to survive. And sometimes you have to think outside the box. There is, as they say, only so much blood you...

Submitted by Dennis Lennie
Published 01 September 2009