KitPlus | Articles

5 must haves for sound recordists

by Paul Zanders Issue 101 - May 2015 Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier. 1. Sound BlanketA lot of studios are big empty spaces that bo...

Submitted by Paul Zanders

Published 01 June 2015

A box of delights

by Dick Hobbs Issue 101 - May 2015 In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction. His original work was more complicated than this diagram, but fundamentally...

Submitted by Dick Hobbs.

Published 01 June 2015

Finding the Oracle of audio capture

by Simon Tillyer Issue 101 - May 2015 With over 300 hours of YouTube video uploaded every 60 seconds it\'s not hard to understand why any manufacturer would be looking closely at the new generation of emerging filmmakers whether they be in the consumer (creating content for "fun") or prosumer (creating content for a fee) markets. You might however...

Submitted by Simon Tillyer

Published 01 June 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

Step by step - The perfect podcast

by Beth Zarkhosh Issue 99 - March 2015 The beauty of podcasting is that it can be done in very little time and with great ease when done properly!This article will give you a brief insight into how to create the perfect podcast and what elements to take into account. So firstly, what is it you are podcasting about?The key to any successful podcast...

Submitted by Beth Zarkhosh

Published 01 April 2015

Cloud Editing at BVE

Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus

Published 01 April 2015

Capturing the action : Ocean Communications

Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus

Published 01 April 2015

The changing face of film and TV

by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver

Published 01 April 2015

Walking into manufacturing with a Dedleg

by Paul Zanders Issue 98 - February 2015 I\'ve been a freelance recordist since 1999. I\'ve been lucky enough to be busy, working with many crews on some major shows like The Apprentice, Masterchef, X Factor, Top Gear, and many documentaries and corporate videos. I\'ve worked with some great cameramen and some fantastic sound recordists. I enjoy wh...

Submitted by Paul Zanders

Published 01 March 2015

Sealife - Shooting 4k

by Kieron Seth Issue 98 - February 2015 Since the days of Jacques Cousteau and his Undersea World, marine habitats have fascinated television audiences. From 1972 to 1975 the French explorer and filmmaker brought his excitement and passion for sea life to our screens and have inspired documentary makers since. The films lay bare the lengths the cre...

Submitted by Kieron Seth#

Published 01 March 2015

Listening and the art of conducting the perfect meeting

by Peter Savage Issue 97 - January 2015 Every year, in January, I like to look back to see if I can find a small gem of information, gleaned during the past year of my 30 years in finance, that I can attempt to pass on, sometimes poorly, to our newest members of staff. Today I was asked by one of my team what was the best advice I had ever been giv...

Submitted by Thomas Urbye

Published 01 February 2015

Top Five most viewed interviews at IBC 2014

Issue 96 - December 20145. Telestream Wirecast and Switch 4. MultiView 16 3. Blackmagic and Fusion 2. Sony\'s new cameras, including the FS7 MOST VIEWED:1. JVC\'s GY-LS300 prototype

Submitted by KitPlus

Published 01 January 2015

News - A New Beginning

by Kieron Seth Issue 96 - December 2014 As voting ended, political analysts eagerly awaited the result from the Rochester and Stroud by-election. Commentators expected a dramatic shift in the Westminster landscape and with it the overturning of the political status quo stretching back 100 years. Yet the headlines that evening were nothing to do wit...

Submitted by Kieron Seth#

Published 01 January 2015

Matrox Monarch HD

Issue 96 - December 2014 Matrox Monarch HD is the video streaming and recording appliance for the first live underground music site of its kind, DMO Live (Don't Miss Out), a new platform that records and live-streams international music parties, exclusive artist interviews and festivals direct to the DMO website. Created for the electronic music lo...

Submitted by KitPlus

Published 01 January 2015

REVIEW: Portaprompt 365 Personal

by Sam Dierckx Issue 95 - November 2014 InSync are an online video strategy and video production company. Our roots are in the production of Television programmes, but we left that boat early because of the opportunities that presented themselves online and of course because TV budgets here in Belgium have become smaller and smaller due to online c...

Submitted by Sam Dierckx

Published 01 December 2014