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Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Move and Deliver


Issue 93 - September 2014 In an industry that hands out a lot of awards, it can be easy to take the revelation of each golden statuette or glass embossed brick with a pinch of salt. When NATAS hands out a Technology and Engineering Emmy, however, people sit up and take notice. This month Video Services Forum, Media Links, Nevion, DVBlink, Inc, Harr...

Submitted by Will Strauss#
Published 01 October 2014

Israels i24news


by Jason Danielston Issue 92 - August 2014 Israeli international news channel i24news went on air in July 2013. Broadcasting from Jaffa port, Tel Aviv, it airs international news on three channels in three languages: English, French, and Arabic. The channel provides news content and magazine pieces to 800 million households around the world on cabl...

Submitted by Jason Danielson#
Published 01 September 2014

Getting more from your MAM


by Colin Blake Issue 91 - July 2014 The value of a media asset management (MAM) system cannot be understated. The MAM system serves as the window into your archive, and a properly implemented MAM system can mean the difference between finding and repurposing assets or letting them sit idle and unmonetized. There are several choices for MAMs availab...

Submitted by Colin Blake
Published 01 August 2014

Back to Basics with Media Transformation


by Craig Newbury Issue 90 - June 2014 With their shift toward use of file-based digital audio and video, rather than tape- or film-based media, broadcasters and other media companies have moved into a world that demands some familiarity with the concept of media compression. Because the video and audio captured by cameras and microphones often resu...

Submitted by Craig Newbury
Published 01 July 2014

Proprietary vs. off the shelf hardware for OTT video deli...


by Nivedita Nouval Issue 90 - June 2014 What are the main equipment at stake in an OTT video delivery system?An OTT video delivery system consists of an array of video servers that are able to store and stream content according to different formats defined by standards (e.g., HLS, HSS, HDS, and MPEG-DASH). Traditionally, there is an origin server,...

Submitted by Nivedita Nouval
Published 01 July 2014

Transforming Content and Caputure Distribution


by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise
Published 01 July 2014

Ask the Experts


by Matthew Rehrer Issue 90 - June 2014 What trends are you seeing with respect to investment in archiving solutions?Investment in archiving solutions has been shaped by several major trends, all fundamentally driven by the desire to store and manage media content in such a way that it can better support effective and/or profitable use of those asse...

Submitted by Matthew Rehrer
Published 01 July 2014

Return to original programming for channel 5


Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus
Published 01 May 2014

Centralised tapeless workflow at BT sport studios


by Steve Montgomery Issue 88 - April 2014 Part of the former International Broadcast Centre at the Queen Elizabeth Olympic Park in London has been transformed into the new home of BT Sport with state-of-the-art production and broadcasting systems for BTs new television broadcast operations. BT sport is a broadcasting station with 24-7 operational c...

Submitted by steve montgomery
Published 01 May 2014

Automation...


by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman
Published 01 April 2014

War House goes live in 4K


Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus
Published 01 April 2014

4k testing in todays world


by Adam Schadle Issue 86 - February 2014 1. With the need to ingest and process video from a number of sources, broadcasters are faced with a multifaceted need to handle all types of formats including 4K. What is your multi-resolution strategy?With the emergence of new compression standards such as High-Efficiency Video Compression (HEVC), which of...

Submitted by Adam Schadle
Published 01 March 2014

Tales from the teaching trenches: The offline, online bat...


by Charlie Watts Issue 85 - January 2014 Since the digital explosion of multiple video formats, students of higher education have often faced the process of ingest or capture with gritted teeth, and the drag and drop culture of speed and the \'quick fix\' has inadvertently created indifference to a vastly important part of the post-production proce...

Submitted by Charlie Watts
Published 01 February 2014

How the cloud is changing the post production landscape


by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater
Published 01 February 2014